
← Eurovision Song Contest 2023 • Eurovision Song Contest 2024 • Eurovision Song Contest 2025 →


- Semi-Final 1: Tuesday, 7 May 2024, 21:00 CEST
- Semi-Final 2: Thursday, 9 May 2024, 21:00 CEST
- Finale: Saturday, 11 May 2024, 21:00 CEST
- Venue: Malmö Arena, Hyllievång, Malmö, 🇸🇪 Sweden
- Slogan: United by Music
- Presenter(s): Petra Mede, Malin Åkerman
- Directed by: Robin Hofwander, Daniel Jelinek, Fredrik Bäcklund
- Executive Supervisor: Martin Österdahl
- Executive Producer: Eba Adiellson, Christel Tholse Willers
- Multicamera Director: —
- Host Broadcaster:
Sveriges Television (SVT) - Opening Act: Semi-final 1: Eleni Foureira, Eric Saade and Chanel, who performed their respective competing songs – “Fuego” (Cyprus 2018), “Popular” (Sweden 2011) and “SloMo” (Spain 2022). Ι Semi-final 2: pre-recorded segment, in which presenters Petra Mede and Malin Åkerman performed the 2023 winning song “Tattoo” with minor lyrical changes. Ι Final: Björn Skifs performing “Hooked on a Feeling”, followed by the flag parade, introducing all twenty-five finalists, set to a medley of well-known Swedish hits. In a pre-recorded segment during a break between the competing performances, Sarah Dawn Finer as Lynda Woodruff performed a song about the contest’s executive supervisor Martin Österdahl, “You’re Good to Go”, which was later released as a single.
- Interval Act: Semi-final 1: three-time winner for Ireland (1980, 1987 and 1992) Johnny Logan performing the 2012 Swedish winning entry “Euphoria”, and 2018 Swedish entrant Benjamin Ingrosso performing a medley of his songs “Look Who’s Laughing Now”, “Kite” and “Honey Boy”. Ι Semi-final 2: Helena Paparizou, Charlotte Perrelli and Sertab Erener performing their respective winning songs – “My Number One” (Greece 2005), “Take Me to Your Heaven” (Sweden 1999) and “Everyway That I Can” (Turkey 2003) – with the audience taking part in a sing-along, and “We Just Love Eurovision Too Much”, a musical number performed by Mede that satirised various aspects of the contest and Sweden’s success in the event, with appearances by Perrelli, Sarah Dawn Finer reprising her role as Lynda Woodruff, and 2023 Finnish representative Käärijä performing an excerpt of his competing song “Cha Cha Cha”. 1984 winners for Sweden, Herreys, performed their winning song “Diggi-Loo Diggi-Ley” after the qualifiers were announced. Ι Final: Alcazar performing “Crying at the Discoteque”; a tribute performance of the 1974 Swedish winning song “Waterloo” by three past winners – Carola (Sweden 1991), Charlotte Perrelli (Sweden 1999) and Conchita Wurst (Austria 2014) – preceded by a pre-recorded segment from the ABBA Voyage concert residency in London in which the song’s original performers, ABBA, as their virtual avatar selves in the concert, discussed their Eurovision experience on the occasion of its 50th anniversary; and Loreen performing her new single “Forever” and her 2023 winning song “Tattoo”.
- Website: eurovision
.tv /event /malmo-2024 - Number of entries: 37: Final 25[a] [🇫🇷 France (66ª), 🇮🇹 Italy (49ª), 🇩🇪 Germany (67ª), 🇬🇧 United Kindom (66ª), 🇪🇸 Spain (63ª), 🇺🇦 Ukraine (19ª), ]; First Semi-Final 16 [🇭🇷 Croatia (29ª), 🇮🇪 Ireland (57ª), 🇱🇻 Latvia (24ª), 🇲🇹 Malta (36ª), 🇵🇹 Portugal (55ª), 🇳🇴 Norway (62ª),🇷🇸 Serbia (16ª), 🇦🇿 Azerbaijan (16ª), 🇨🇿 Czechia (12ª), 🇫🇮 Finland (57ª), 🇮🇱 Israel (46ª), 🇲🇩 Moldova (19ª),
🇳🇱 The Netherlands (64ª), 🇸🇪 Sweden (63ª), 🇨🇭Switzerland (64ª), 🇱🇺 Luxembourg (35ª)]; Second Semi-Final 16 [🇦🇹 Austria (56ª), 🇨🇾 Cyprus (40ª), 🇦🇺 Australia (9ª), 🇩🇰 Denmark (52ª), 🇸🇮 Slovenia (29ª), 🇱🇹 Lithuania (24ª), 🇪🇪 Estonia (29ª), 🇦🇱 Albania (20ª), 🇧🇪 Belgium (65ª), 🇦🇲 Armenia (16ª), 🇬🇷 Greece (44ª), 🇮🇸 Iceland (36ª), 🇸🇲 San Marino (14ª), 🇬🇪 Georgia (16ª), 🇵🇱 Poland (26ª)]. - Debuting countries: —
- Returning countries: 🇱🇺 Luxembourg (38ª)
- Non-returning countries: 🇷🇴 Romania (24ª)
- Disqualified countries: 🇳🇱 The Netherlands (64ª)
- Voting system: Each country awards one set in the semi-finals, or two sets in the final of 12, 10, 8–1 points to ten songs. In all three shows, online votes from viewers in non-participating countries are aggregated and awarded as one set of points.
- Nul points in Final: —
- Winning song: 🇨🇭 Switzerland – “The Code”
Participation map:
![]()
B: Finalist countries; G: Countries competing in the semi-finals; M: Countries eliminated in the semi-finals; Gr: Countries that participated in the past but not in 2024
The Eurovision Song Contest 2024 was the 68th edition of the Eurovision Song Contest. It took place in Malmö, Sweden, following the country’s victory at the 2023 contest with the song “Tattoo” by Loreen. Organised by the European Broadcasting Union (EBU) and host broadcaster Sveriges Television (SVT), the contest was held at the Malmö Arena, and consisted of two semi-finals, on 7 and 9 May, and a final on 11 May 2024. The three live shows were presented by Petra Mede and Malin Åkerman, with Mede having previously taken on the role in 2013 and 2016.
Thirty-seven countries participated in the contest, the same number as in 2023. Romania opted not to participate, and Luxembourg competed for the first time since 1993. The Netherlands was disqualified from the contest between the second semi-final and the final, but the country retained its right to vote. The inclusion of Israel among the participants in the context of the Israel–Hamas war was met with controversy, and additional security measures were put in place for the event.
The winner was Switzerland with the song “The Code”, performed by the Swiss singer Nemo and written by them with Benjamin Alasu, Lasse Midtsian Nymann, and Linda Dale. Switzerland won the combined vote and jury vote, and placed fifth in the televote. Croatia won the televote and finished in second place, its best result to date as an independent country. Ukraine, France, and Israel completed the top five.
The EBU reported that the contest had a television audience of 163 million viewers in 37 European markets, an increase of a million viewers from the previous edition, with an additional 7.3 million viewers online on YouTube.

Malmö Arena, host venue of the 2024 contest.
Location. The 2024 contest took place in Malmö, Sweden, following the country’s victory at the 2023 contest with the song “Tattoo”, performed by Loreen. It was the seventh time Sweden had hosted the contest, having previously done so in 1975, 1985, 1992, 2000, 2013, and 2016. The venue for the contest was the 15,500-seat Malmö Arena, which had previously hosted the contest in 2013.
The Malmö Live event centre hosted several events related to the contest. It was the venue for the “Turquoise Carpet” event on 5 May 2024, where the contestants and their delegations[a] were presented before accredited press and fans, and the opening and closing ceremonies. The venue also hosted screenings of the live shows, and was the location of the EuroClub, which hosted the official after-parties and private performances by contest participants.
A Eurovision Village was created in Folkets Park. It hosted performances by contest participants[b] and local artists, as well as screenings of the live shows for the general public. A “Eurovision Street” was established in Friisgatan, between Folkets Park and Triangeln station. Planned street music performances were affected by the withdrawal of several artists due to Israel’s participation in the contest and were ultimately transferred to the Eurovision Village for security reasons. The Euro Fan Café, organised by the fan organisation OGAE, was located at Amiralen.
To celebrate the 50th anniversary of ABBA’s victory at the contest in 1974 with “Waterloo”, which was also Sweden’s first win, a special ABBA World exhibition was held at Södergatan between 29 April and 12 May 2024.
Bidding phase. After Sweden’s win in the 2023 contest, the municipalities of Stockholm, Gothenburg, Malmö, Eskilstuna, Jönköping, Örnsköldsvik, Partille and Sandviken expressed interest in hosting the 2024 edition. Host broadcaster Sveriges Television (SVT) set a deadline of 12 June 2023 for interested cities to formally apply. By 13 June, it had received bids from Stockholm, Gothenburg, Malmö, and Örnsköldsvik. On 7 July, Gothenburg and Örnsköldsvik’s bids were eliminated. Later that day, the EBU and SVT announced Malmö as the host city.
| City | Venue | capacity | notes |
|---|---|---|---|
| Eskilstuna |
Stiga Sports Arena | 5 000 | Hosted the Second Chance round of Melodifestivalen in 2020. Did not meet the EBU requirements of capacity. |
| Göteborg (Gothenburg) |
Scandinavium | 14 000 | Hosted the Eurovision Song Contest 1985. Roof needs adjustments for the lighting equipment. Set for demolition after the construction of a new sports facility nearby is completed. |
| Jönköping |
Husqvarna Garden | 7 000 | Hosted the heats of Melodifestivalen in 2007. Did not meet the EBU requirements of capacity. |
| Malmö |
Malmö Arena | 15 500 | Hosted the Eurovision Song Contest 2013. |
| Örnsköldsvik |
Hägglunds Arena | 9 800 | Hosted the heats of Melodifestivalen in 2007, 2010, 2014, 2018 and the semi-final in 2023. |
| Partille |
Partille Arena | 5 500 | Hosted Eurovision Choir 2019. Did not meet the EBU requirements of capacity. |
| Sandviken |
Göransson Arena | 10 000 | Hosted the heats of Melodifestivalen in 2010. Plans included the cooperation of other municipalities in Gävleborg. |
| Stockholm |
Nationalarenan (Friends Arena) | 65 000 | Hosted all but one final of Melodifestivalen since 2013. Preferred venue of the Stockholm City Council.
— Proposal set around building a temporary arena in Frihamnen, motivated by the production needs of the contest and difficulties in finding vacant venues during the required weeks. |
| Stockholsarenan (Tele2 Arena) | 40 000 | ||
| Temporary arena | — |
Location of host city Malmö (in blue
), shortlisted cities (in green
), other bidding cities (in red
) and towns that expressed interest but ultimately did not bid (in grey
).
3.1.1.Participating countries: Eligibility for participation in the Eurovision Song Contest requires a national broadcaster with an active EBU membership capable of receiving the contest via the Eurovision network and broadcasting it live nationwide. The EBU issues invitations to participate in the contest to all members.
On 5 December 2023, the EBU announced that 37 countries would participate in the 2024 contest. Luxembourg returned to the contest 31 years after its last participation in 1993. Romania, which participated in the 2023 contest, was provisionally announced as not participating in 2024. This was confirmed on 25 January 2024.
The contest features two returning artists: Natalia Barbu and Hera Björk, who previously represented Moldova in 2007 and Iceland in 2010, respectively.
|
Participants of the Eurovision Song Contest 2024 |
|||||
| Country | Broadcaster | Artist | Song | Language | Songwriter(s) |
| Albania | RTSH | BESA (Besa Kokëdhima)
With Reija Ware, Melissa Thompson e Fredrik Benke Rydman |
“TiTAN” (Zemrën n’dorë, Hand in heart) | English | Besa Kokëdhima, Fabrice Grandjean, Gia Koka, Kledi Bahiti |
| Armenia | AMPTV | LADANIVA (Լադանիվա: Jaklin Baghdasaryan (Ժակլին Բաղդասարյան), Louis Thomas (Լուի Թոմաս)) | “Jako” (Ժակո) | Armenian | Audrey Leclercq, Jaklin Baghdasaryan, Louis Thomas |
| Australia | SBS | Electric Fields (Zaachariaha Fielding, Michael Ross) | “One Milkali (One Blood)” | English, Yankunytjatjara | Michael Ross, Zaachariaha Fielding |
| Austria | ÖRF | Kaleen (Marie-Sophie Kreissl) | “We Will Rave” (Wir werden raven) | English | Anderz Wrethov, Jimmy “Joker” Thörnfeldt, Julie Aagaard, Thomas Stengaard |
| Azerbaijan | İTV | FAHREE feat. Ilkin Dovlatov (Fakhri Ismayilov, Fəxri İsmayılov feat. İlkin Dövlətov) | “Özünlə apar” (Take Me with You) | English, Azerbaijani | Edgar Ravinov, Fakhri Ismayilov, Hasan Haydar, Madina Salikh, Tamila Rzayeva |
| Belgium | RTBF | Mustii (Thomas Mustin) | “Before the Party’s Over” | English | Arianna Damato, Benoit Leclercq, Charlotte Clark, Nina Sampermans, Pierre Dumoulin, Thomas Mustin |
| Croatia | HRT | Baby Lasagna (Marko Purišić) | “Rim Tim Tagi Dim” | English | Marko Purišić |
| Cyprus | CyBC | Silia Kapsis (Σίλια Καψή)
With Martin Daugaard, Theo B. Koefoed, Nicky Karosy, Gerald Castle, Holden Maples, Tristen Erickson “TR3” |
“Liar” | English | Dimitris Kontopoulos, Elke Tiel |
| Czechia | ČT | Aiko (Alena Shirmanova-Kostebelova, Алёна Ширманова-Костебелова) | “Pedestal” | English | Alena Shirmanova-Kostebelova, Steven Ansell |
| Denmark | DR | SABA (Anna Saba Lykke Oehlenschlæger) | “SAND” | English | Jonas Thander, Melanie Gabriella Hayrapetian, Pil Kalinka Nygaard Jeppesen |
| Estonia | ERR | 5MIINUST x Puuluup | “(Nendest) narkootikumidest ei tea me (küll) midagi” (We (sure) know nothing about (these) drugs) | Estonian | Kim Wennerström, Kohver, Lancelot, Marko Veisson, Päevakoer, Põhja Korea, Ramo Teder |
| Finland | Yle | Windows95man (feat. Henri Piispanen) (Teemu Keisteri feat. Henri Piispanen)[a][b]
With Jesse Wijnans and Matti Myllyaho |
“No Rules!” (Ei sääntöjä!) | English | Henri Piispanen, Jussi Roine, Teemu Keisteri |
| France | France Télévisions | Slimane (Slimane Nebchi) | “Mon amour” (My love) | French | Meïr Salah, Slimane Nebchi, Yaacov Salah |
| Georgia | GPB | Nutsa (Nutsa Buzaladze, ნუცა ბუზალაძე) | “Firefighter” | English | Ada Skitka, Darko Dimitrov |
| Germany | NDRdelegations[a] | ISAAK (Isaak Guderian) | “Always on the Run” (Immer auf der Flucht) | English | Greg Taro, Isaak Guderian, Kevin Lehr, Leo Salminen |
| Greece | ERT | Marina Satti (Μαρίνα Σάττι)
With Huso Cetintas, Vassilis Karagiannis, Yasin AO e Irini Damianidou |
“ZARI” (Ζάρι) | Greek, English | Gino the Ghost, Jay Lewitt Stolar, Jordan Richard Palmer, Konstantin Plamenov Beshkov, Marina Satti, Nick Kodonas, Oge, Solmeister, VLOSPA |
| Iceland | RÚV | Hera Björk | “Scared of Heights” (Við förum hærra, We go higher) | English | Ásdís María Viðarsdóttir, Ferras Alqaisi, Jaro Omar, Michael Burek |
| Ireland | RTÉ | Bambie Thug (Bambie Ray Robinson) | “Doomsday Blue” | English | Cuntry Ray Robinson, Olivia Cassy Brooking, Sam Matlock, Tyler Ryder |
| Israel | IPBC | Eden Golan (עדן גולן; Эден Голан) | “Hurricane” (הוריקן) | English, Hebrew | Avi Ohayon, Keren Peles, Stav Beger |
| Italy | RAI | Angelina Mango
With Martina Toderi, Valentina “Banana” Vernia, Flaminia Genoese, Arianna Forte e Kelly De Nigro |
“La noia” (The boredom) | Italian | Angelina Mango, Dario Faini, Francesca Calearo |
| Latvia | LTV | Dons (Artūrs Šingirejs) | “Hollow” (Dobj; Lauzto šķēpu karaļvalsts, Kingdom of Broken Spears) | English | Artūrs Šingirejs, Kate Northrop, Liam Geddes |
| Lithuania | LRT | Silverster Belt (Silvestras Beltė) | “Luktelk” (Wait) | Lithuanian | Džesika Šyvokaitė, Elena Jurgaitytė, Silvestras Beltė |
| Luxembourg | RTL | TALI (Tali Golergant, טלי גולרגנט) | “Fighter” | French, English | Ana Zimmer, Dario Faini, Manon Romiti, Silvio Lisbonne |
| Malta | PBS | Sarah Bonnici | “Loop” | English | Kevin Lee, Leire Gotxi Angel, Michael Joe Cini, Sarah Bonnici, Sebastian Pritchard-James |
| Moldova | TRM | Natalia Barbu | “In the Middle” | English | Khris Richards, Natalia Barbu |
| The Netherlands | AVROTROS | Joost (Joost Klein)
With Appie Mussa & Stuntkabouter |
“Europapa” | Dutch | Donny Ellerström, Joost Klein, Paul Elstak, Teun de Kruif, Thijmen Melissant, Tim Haars |
| Norway | NRK | Gåte (Gunnhild Eide Sundli, Magnus Børmark, Jon Even Schärer, Mats Paulsen, John Stenersen) |
“Ulveham” (Wolf Skin) | Norwegian | Gunnhild Sundli, Magnus Børmark, Jon Even Schärer, Marit Jensen Lillebuen, Ronny Graff Janssen, Sveinung Ekloo Sundli |
| Poland | TVP | LUNA (Aleksandra Katarzyna “Ola” Wielgomas) | “The Tower” | English | Aleksandra Katarzyna Wielgomas ‘Luna’, Paul „Fyfe” Dixon, Maxwell Cooke |
| Portugal | RTP | iolanda (Iolanda Costa) | “Grito” (Shout) | Portuguese | Alberto Hernández, Iolanda Costa |
| San Marino | SMRTV | MEGARA (Kenzy Loevett, Vitti Crocutta, Tio Rober Bueno, Raphaela Tache) | “11:11” | Spanish, Italian | Isra Dante Ramos Solomando, Roberto la Lueta Ruiz, Sara Jiménez Moral |
| Serbia | RTS | Teya Dora (Теја Дора) | “Ramonda” (Рамонда) | Serbian | Andrijano Kadović, Luka Jovanović, Teodora Pavlovska |
| Slovenia | RTVSLO | Raiven (Sara Briški Cirman)
With Lukas Bareman, Marin Ino, Filippo Jorio, Matteo Moretto e Mateja Železnik |
“Veronika” | Slovene | Bojan Cvjetićanin, Danilo Kapel, Klavdija Kopina, Martin Bezjak, Peter Khoo, Sara Briški Cirman |
| Spain | RTVE | Nebulossa (Mery Bas (María José Bas Arguijo), Mark Dasousa (Lorenzo Giner Puchol))
With Ana Villa, César Louzán e Iosu Martínez |
“Zorra” (Vixen) | Spanish | María Bas, Mark Dasousa |
| Sweden | SVT | Marcus & Martinus | “Unforgettable” | English | Jimmy Thörnfeldt, Joy Deb, Linnea Deb, Marcus Gunnarsen, Martinus Gunnarsen |
| Switzerland | SRG SSR | Nemo (Nemo Mettler) | “The Code” (Der Code) | English | Benjamin Alasu, Lasse Midtsian Nymann, Linda Dale, Nemo Mettler |
| Ukraine | Suspilne | Alyona Alyona and Jerry Heil (Aliona Olehivna Savranenko, Альо́на Олегівна Савране́нко; Yana Oleksandrivna Shemaieva, Я́на Олекса́ндрівна Шема́єва, Дже́ррі Гейл) | “Teresa & Maria” (Тереза та Марія) | Ukrainian[e] | Aliona Savranenko, Anton Chilibi, Ivan Klymenko, Yana Shemaieva |
| United Kingdom | BBC | Olly Alexander (Oliver Alexander Thornton) | “Dizzy” | English | Oliver Alexander Thornton, Danny L Harle |
Notes:
- [a] ^26 countries were set to perform, but the Netherlands was disqualified from the contest between the second semi-final and the final. The country retained its right to vote in the final.
- [b] ^ The Israeli delegation opted not to take part due to security reasons and 5 May coinciding with Yom HaShoah.
- [c] ^ Namely those of Albania, Armenia, Austria, Azerbaijan, Belgium, Finland, Germany, Iceland, Italy, Lithuania, Malta, Moldova, Norway, Portugal, and Serbia, in addition to participants from previous editions
- [d] ^ a b c Features uncredited vocals by Henri Piispanen.
- [e] ^ On behalf of the German public broadcasting consortium ARD.
- [f] ^ The voting window had been extended to commence before the first competing performance on two previous occasions: in 2010 and 2011.
- [g] ^ Israel was allocated to the second semi-final at the request of the Israeli broadcaster Kan.
- [h] ^ Namely Icona Pop’s “I Love It”, Ace of Base’s “Beautiful Life”, Roxette’s “The Look”, Lykke Li’s “I Follow Rivers”, Axwell & Ingrosso’s “Sun Is Shining”, and ABBA’s “Gimme! Gimme! Gimme! (A Man After Midnight)” and “The Winner Takes It All”.
- [i] ^ Nikkie de Jager was supposed to announce the jury points from the Netherlands, but withdrew after the disqualification of the Dutch entry from the final. The contest’s executive supervisor Martin Österdahl announced the Dutch jury points instead.
- [j] ^a b Despite finishing with the same number of points as Austria, Spain is deemed to have finished 19th in the jury voting due to receiving points from more countries
- [k] ^a b Despite finishing with the same number of points as Slovenia, Georgia is deemed to have finished 21st in the jury voting due to receiving points from more countries
- [l] ^ Including Finnish- and Swedish-language commentary options from Yle TV1
- [m] ^ The broadcast of the second semi-final started delayed, at 22:30 WEST
- [n] ^ The broadcast of the final will start delayed, at 21:01 WEST
- [o] ^ During the performance of Poland in the first semi-final, the broadcast was temporarily moved from RTS 1 to RTS 2, so the former could air the arrival ceremony of Chinese president Xi Jinping, who was conducting a state visit to Serbia. RTS 2 aired approximately 25 minutes of the semi-final, including the remainder of the Polish entry, performances from Iceland, Croatia, and the first part of the German performance, before the broadcast was restored to RTS 1.
- [p] ^ Including Swedish-language commentary option from SVT1.
- [q] ^ a b In simulcast of broadcasts from Finland’s Yle Areena.
- [r] ^The broadcast of the semi-finals mostly featured TV commentary by Miroshnychenko. Only the second recaps (which Miroshnychenko left unnarrated on TV) were commentated on by Zakharchenko and Antypenko. The broadcasts also included brief studio discussions and brief on-site reports by Anna Zakletska between the close of the voting window and results announcements, which were presented by Zakharchenko and Antypenko.
- [s] ^Attributed to multiple references
5.Other countries. Active EBU member broadcasters in Andorra, Bosnia and Herzegovina, Monaco and Slovakia confirmed non-participation prior to the announcement of the participants list by the EBU. The Romanian broadcaster, TVR, remained in talks with the EBU until 25 January 2024, but decided not to participate for financial reasons.
4.3.All the national selections for Eurovision Song Contest 2024:
• National Selections in 2024:
| COUNTRY | EVENT | WINNER |
|---|---|---|
| Albania | Festivali i Këngës #62 | Besa Kokëdhima – TiTAN (Zemrën n’dorë) |
| Croatia | Dora 2024 | Baby Lasagna – Rim Tim Tagi Dim |
| Czechia | ESCZ 2024 | Aiko – Pedestal |
| Denmark | Melodi Grand Prix 2024 | Saba – Sand |
| Estonia | Eesti Laul 2024 | 5miinust & Puuluup – (nendest) narkootikumidest ei tea me (küll) midagi |
| Finland | UMK 2024 | Windows95man – No Rules |
| Germany | Das deutsche Finale 2024 | Isaak – Always on the Run |
| Iceland | Söngvakeppnin 2024 | Hera Björk – Scared on the Run |
| Ireland | Eurosong 2024 | Bambie Thug – Doomsday Blue |
| Israel | HaKokhav HaBa artist selection | Eden Golan – Hurricane |
| Italy | Sanremo 2024 | Angelina Mango – La noia |
| Latvia | Supernova 2024 | Dons – Hollow |
| Lithuania | Eurovizija.LT | Silvester Belt – Luktelk |
| Luxembourg | Luxembourg Song Contest 2024 | Tali – Fighter |
| Malta | MESC 2024 | Sarah Bonnici – Loop |
| Moldova | Etapa Națională 2024 | Natalia Barbu – In the Middle |
| Norway | Melodi Grand Prix 2024 | Gåte – Ulveham |
| Portugal | Festival da Canção 2024 | iolanda – Grito |
| San Marino | Una Voce per San Marino | Megara – 11:11 |
| Serbia | Pesma za Evroviziju 24 | Teya Dora – Ramonda |
| Spain | Benidorm Fest 2024 | Nebulossa – Zorra |
| Sweden | Melodifestivalen 2024 | Marcus & Martinus – Unforgettable |
| Ukraine | Vidbir 2024 | alyona alyona & Jerry Heil – Teresa & Maria |
• Internal Selections in 2024:
| Armenia | Ladaniva – Jako |
| Australia | Electric Fields – One Milkali (One Blood) |
| Austria | Kaleen – We Will Rave |
| Azerbaijan | Fahree feat. Ilkin Dovlatov – Özünlə Apar |
| Belgium | Mustii – Before the Party’s Over |
| Cyprus | Silia Kapsis – Liar |
| France | Slimane – Mon amour |
| Georgia | Nutsa Buzaladze – Firefighter |
| Greece | Marina Satti – Zari |
| Netherlands | Joost Klein – Europapa |
| Poland | Luna – The Tower |
| Slovenia | Raiven – Veronika |
| Switzerland | Nemo – The Code |
| United Kingdom | Olly Alexander – Dizzy |
Production. The Eurovision Song Contest 2024 was produced by the Swedish national broadcaster Sveriges Television (SVT). The core team consisted of Ebba Adielsson as executive producer, Christel Tholse Willers as deputy executive producer, Tobias Åberg as executive in charge of production, Johan Bernhagen as executive line producer, Christer Björkman as contest producer, and Per Blankens as TV producer. Additional production personnel included head of production David Wessén, head of legal Mats Lindgren, head of media Madeleine Sinding-Larsen, and executive assistant Linnea Lopez.
Edward af Sillén and Daniel Réhn wrote the script for the live shows’ hosting segments and the opening and interval acts, while Robin Hofwander, Daniel Jelinek and Fredrik Bäcklund served as multi-camera directors. Background music for the shows was composed by Eirik Røland and Johan Nilsson. A majority of the production personnel for 2024 previously worked in the previous three editions of the contest held in Sweden: 2000, 2013 and 2016.
Malmö Municipality contributed 30 million SEK (approximately €2.5 million) to the budget of the contest.
Slogan and visual design. On 14 November 2023, the EBU announced that “United by Music”, the slogan of the 2023 contest, would be retained for 2024 and future editions. The accompanying theme art for 2024, named “The Eurovision Lights”, was unveiled on 14 December. Designed by Stockholm-based agencies Uncut and Bold Scandinavia, it was based on simple, linear gradients inspired by vertical lines found on auroras and sound equalisers, and was built with adaptability across different formats taken into account.
Stage design. Thestage design for the 2024 contest, revealed in December 2023, was devised by German production designer Florian Wieder, who had previously designed the sets of six previous contests – the most recent being in 2021. Lighting and screen content was designed by Swedish designer Fredrik Stormby. The stage featured five movable LED cubes, floors and a backdrop screen along with other lighting, video and stagecraft technology, all set around a cross-shaped centre, with the aim of “creating a unique 360-degree experience” for viewers. The green room was placed behind the backdrop screen, in a similar fashion to the stages for the 2010 and 2011 contests. Construction of the stage began on 2 April and concluded on 25 April.
Postcards. The “postcards” are short video introductions shown on television while the stage is being prepared for the next entry. Filmed from November 2023 to May 2024, the postcards were composed of footage shot by the participating artists through “selfie-mode”, introducing the artists themselves and the country they represent. Archival footage of two of a country’s previous entries was also used in each postcard. During the interval of the final, the postcards were parodied by presenter Petra Mede, with archival footage from her previous hostings in 2013 and 2016 being featured.
| Country | Entries | |||||
|---|---|---|---|---|---|---|
| Year | Artist | Song | ||||
| 2009 | Kejsi Tola | “Carry Me in Your Dreams” | ||||
| 2012 | Rona Nishliu | “Suus“ | ||||
| 2009 | Inga and Anush | “Jan Jan” (Ջան Ջան) | ||||
| 2022 | Rosa Linn | “Snap” | ||||
| 2015 | Guy Sebastian | “Tonight Again” | ||||
| 2019 | Kate Miller-Heidke | “Zero Gravity” | ||||
| 2014 | Conchita Wurst | “Rise Like a Phoenix” | ||||
| 2018 | Cesár Sampson | “Nobody but You” | ||||
| 2009 | Aysel and Arash | “Always” | ||||
| 2011 | Ell and Nikki | “Running Scared” | ||||
| 1986 | Sandra Kim | “J’aime la vie“ | ||||
| 2015 | Loïc Nottet | “Rhythm Inside” | ||||
| 1999 | Doris Dragović | “Marija Magdalena“ | ||||
| 2023 | Let 3 | “Mama ŠČ!“ | ||||
| 1997 | Hara and Andreas Konstantinou | “Mana mou” (Μάνα μου) | ||||
| 2012 | Ivi Adamou | “La La Love” | ||||
| 2018 | Mikolas Josef | “Lie to Me” | ||||
| 2022 | We Are Domi | “Lights Off” | ||||
| 1988 | Hot Eyes | “Ka’ du se hva’ jeg sa’?“ | ||||
| 2000 | Olsen Brothers | “Fly on the Wings of Love” | ||||
| 2001 | Tanel Padar, Dave Benton and 2XL | “Everybody” | ||||
| 2009 | Urban Symphony | “Rändajad“ | ||||
| 1994 | CatCat | “Bye Bye Baby” | ||||
| 2023 | Käärijä | “Cha Cha Cha” | ||||
| 1977 | Marie Myriam | “L’Oiseau et l’Enfant“ | ||||
| 2021 | Barbara Pravi | “Voilà“ | ||||
| 2007 | Sopho | “Visionary Dream” | ||||
| 2015 | Nina Sublatti | “Warrior” | ||||
| 1994 | Mekado | “Wir geben ‘ne Party“ | ||||
| 2010 | Lena | “Satellite” | ||||
| 1974 | Marinella | “Krassi, thalassa ke t’ agori mou” (Κρασί, θάλασσα και τ’ αγόρι μου) | ||||
| 2005 | Helena Paparizou | “My Number One” | ||||
| 1986 | ICY | “Gleðibankinn“ | ||||
| 2021 | Daði og Gagnamagnið | “10 Years” | ||||
| 1987 | Johnny Logan | “Hold Me Now” | ||||
| 2011 | Jedward | “Lipstick” | ||||
| 1991 | Duo Datz | “Kan” (כאן) | ||||
| 1998 | Dana International | “Diva” (דיווה) | ||||
| 1987 | Umberto Tozzi and Raf | “Gente di mare“ | ||||
| 2021 | Måneskin | “Zitti e buoni“ | ||||
| 2002 | Marie N | “I Wanna” | ||||
| 2015 | Aminata | “Love Injected” | ||||
| 2012 | Donny Montell | “Love Is Blind” | ||||
| 2021 | The Roop | “Discoteque” | ||||
| 1965 | France Gall | “Poupée de cire, poupée de son“ | ||||
| 1988 | Lara Fabian | “Croire“ | ||||
| 1998 | Chiara | “The One That I Love” | ||||
| 2021 | Destiny | “Je me casse“ | ||||
| 2005 | Zdob și Zdub | “Boonika bate doba“ | ||||
| 2010 | SunStroke Project and Olia Tira | “Run Away” | ||||
| 1998 | Edsilia Rombley | “Hemel en aarde“ | ||||
| 2019 | Duncan Laurence | “Arcade” | ||||
| 1986 | Ketil Stokkan | “Romeo” | ||||
| 2009 | Alexander Rybak | “Fairytale” | ||||
| 1994 | Edyta Górniak | “To nie ja!“ | ||||
| 2014 | Donatan and Cleo | “My Słowianie – We Are Slavic” | ||||
| 1982 | Doce | “Bem bom“ | ||||
| 2017 | Salvador Sobral | “Amar pelos dois“ | ||||
| 2014 | Valentina Monetta | “Maybe” | ||||
| 2019 | Serhat | “Say Na Na Na” | ||||
| 2007 | Marija Šerifović | “Molitva” (Молитва) | ||||
| 2022 | Konstrakta | “In corpore sano“ | ||||
| 2001 | Nuša Derenda | “Energy” | ||||
| 2019 | Zala Kralj and Gašper Šantl | “Sebi“ | ||||
| 1968 | Massiel | “La La La” | ||||
| 2022 | Chanel | “SloMo” | ||||
| 1983 | Carola | “Främling“ | ||||
| 2023 | Loreen | “Tattoo” | ||||
| 1988 | Celine Dion | “Ne partez pas sans moi“ | ||||
| 2021 | Gjon’s Tears | “Tout l’univers“ | ||||
| 2004 | Ruslana | “Wild Dances” | ||||
| 2021 | Go A | “Shum” (Шум) | ||||
| 1967 | Sandie Shaw | “Puppet on a String” | ||||
| 2022 | Sam Ryder | “Space Man” | ||||

Malin Åkerman and Petra Mede, presenters of the 2024 contest
Presenters. Swedish comedian and television host Petra Mede and Swedish-American actress Malin Åkerman were announced as the presenters of the 2024 contest on 5 February 2024. Mede had previously hosted both the 2013 and 2016 editions (solo and with Måns Zelmerlöw, respectively), as well as the 2015 special anniversary programme Eurovision Song Contest’s Greatest Hits alongside Graham Norton. The “Turquoise Carpet” and opening ceremony events were hosted by Elecktra and Tia Kofi,[while Jovan Radomir moderated the contest’s press conferences.
Security. In November 2023, the production team at SVT stated its intention to increase security measures and to keep in contact with Malmö’s police authority during the contest, citing a tense climate of protest amid Israel’s participation. This included police reinforcement from Denmark and Norway, tightened cybersecurity, and a no-fly zone to prevent drone attacks, as well as adjustments to the number of locations set to host side events. Through social media content, Israeli broadcaster Kan also expressed concerns over alleged antisemitism in Malmö, attributing this to the “Islamisation of Europe”. Additional measures were taken to protect the Israeli delegation, with the representative Eden Golan being escorted by Shin Bet agents in addition to local police officers following death threats directed at her via social media. Shin Bet also advised Israeli citizens against travelling to Malmö and sent there a delegation, headed by its director Ronen Bar, to prevent potential threats against them. Thousands of pro-Palestinian demonstrators gathered in Malmö to protest against Israel’s participation in the competition.
SVT’s decision was made in the context of a high terroristic threat level in Sweden, with the Swedish Security Service (SÄPO) having raised the level from 3 to 4 out of 5 in August 2023, primarily in response to the 2023 Quran burnings in the country and prior to the Israel–Hamas war. Concerns about the risk of terrorist attacks resurged in the wake of the Crocus City Hall attack outside Moscow on 22 March 2024. In the event of an emergency, Malmö Municipality would provide accommodations in local schools and sports facilities as well as psychological support.
Format.
Voting system and contest structure. After the outcome of the 2023 contest, which saw Sweden win, despite Finland’s lead in the televoting, sparked controversy among the audience, Norwegian broadcaster NRK began discussions with the EBU regarding a potential revision of the jury voting procedure. It was noted that Norwegian entries in recent years had been penalised by the juries, particularly in 2019 and 2023, when Norway finished in sixth and fifth place overall, respectively, despite coming first in 2019 and third in 2023 with the televote. In an interview, the Norwegian head of delegation Stig Karlsen discussed the idea of reducing the jury’s weight on the final score, from the current 49.4%, to 40% or 30%. No changes to the voting system were ultimately implemented in this regard.
For 2024, the “Rest of the World” voting window was open for 24 hours before each show, as well as during each show. For participating countries, it was open after the last song is performed – as in previous years – in the semi-finals. In the final, it was opened just before the first performance and closed 25 minutes after the last performance.[e] The automatic qualifiers – the host country and the “Big Five” – performed their entries in full during the semi-finals, in between the competing acts. Following an incident which ultimately led to the disqualification of the Dutch representative, the opening of the “Rest of the World” voting window for the final was delayed until eight hours before the show.
Thirteen of the twenty-five open positions in the running order of the final will be subject to a “producer’s choice” draw option, alongside six positions available each, for the first half and second half of the show. For those countries which draw the “producer’s choice” category, the contest producers will be able to place that country anywhere in the running order. The runtime of the final was initially planned to be reduced by approximately an hour. This was ultimately not a priority, with the final planned to be shortened by a maximum of five minutes.
Semi-final allocation draw. The draw to determine the participating countries’ semi-finals took place on 30 January 2024 at 19:00 CET, at the Malmö Town Hall. The thirty-one semi-finalists were divided over five pots, based on historical voting patterns, with the purpose of reducing the chance of bloc voting and increasing suspense in the semi-finals. The draw also determined which semi-final each of the six automatic qualifiers – host country Sweden and “Big Five” countries (France, Germany, Italy, Spain and the United Kingdom) – would vote in and be required to broadcast. The ceremony was hosted by Pernilla Månsson Colt and Farah Abadi, and included the passing of the host city insignia from Steve Rotheram, the mayor of the Liverpool City Region and representative of previous host city Liverpool, to Katrin Stjernfeldt Jammeh, the mayor of Malmö Municipality.
With the approval from the contest’s reference group, Israel was allocated to the second semi-final following a request from Israeli broadcaster Kan, as the rehearsal date for the first semi-final coincided with Yom HaShoah.
![]()
Results of the semi-final allocation draw: B – Participating countries in the first semi-final; LB – Pre-qualified for the final but also voting in the first semi-final; O – Participating countries in the second semi-final; LO – Pre-qualified for the final but also voting in the second semi-final
3.2.Semi-final allocation draw. The draw to determine the participating countries’ semi-finals took place on 30 January 2024 at 19:00 CET, at the Malmö Town Hall. The thirty-one semi-finalists were divided over five pots, based on historical voting patterns, with the purpose of reducing the chance of bloc voting and increasing suspense in the semi-finals. The draw also determined which semi-final each of the six automatic qualifiers – host country Sweden and “Big Five” countries (France, Germany, Italy, Spain and the United Kingdom) – would vote in and be required to broadcast. The ceremony was hosted by Pernilla Månsson Colt and Farah Abadi, and included the passing of the host city insignia from Steve Rotheram, the mayor of the Liverpool City Region and representative of previous host city Liverpool, to Katrin Stjernfeldt Jammeh, the mayor of Malmö Municipality.
With the approval from the contest’s reference group, Israel was allocated to the second semi-final following a request from Israeli broadcaster Kan, as the rehearsal date for the first semi-final coincided with Yom HaShoah.
| Pot 1 | Pot 2 | Pot 3 | Pot 4 | Pot 5 |
|---|---|---|---|---|
|
|
|
|
|
Contest overview.
Semi-final 1. The first semi-final took place on 7 May 2024 at 21:00 CEST and featured fifteen competing countries. Those countries, plus Germany, Sweden and the United Kingdom, as well as non-participating countries under an aggregated “Rest of the World” vote, voted in this semi-final. The running order (R/O) was determined by the contest producers and was announced publicly on 26 March. In addition to the competing entries, the United Kingdom, Germany and Sweden performed their entries during the show, appearing on stage after the entries from Ireland, Iceland and Moldova, respectively. Croatia was awarded the most points in the semi-final, and qualified for the final alongside, in order of points total, Ukraine, Ireland, Lithuania, Luxembourg, Cyprus, Finland, Portugal, Slovenia, and Serbia. The countries that failed to reach the final were Australia, Poland, Moldova, Azerbaijan, and Iceland.
This semi-final was opened by former participants Eleni Foureira, Eric Saade and Chanel, who performed their respective competing songs – “Fuego” (Cyprus 2018), “Popular” (Sweden 2011) and “SloMo” (Spain 2022). Saade, whose father is Palestinian, performed wearing a keffiyeh. The EBU stated that his keffiyeh was a political symbol and that it regretted Saade’s choice to “compromise the non-political nature of the event”. The interval acts included three-time winner for Ireland (1980, 1987 and 1992) Johnny Logan performing the 2012 Swedish winning entry “Euphoria”, and 2018 Swedish entrant Benjamin Ingrosso performing a medley of his songs “Look Who’s Laughing Now”, “Kite” and “Honey Boy”.
| R/O | Country | Artist | Song | Points | Place |
|---|---|---|---|---|---|
| 1 | Silia Kapsis | “Liar” | 67 | 6 | |
| 2 | Teya Dora | “Ramonda“ | 47 | 10 | |
| 3 | Silvester Belt | “Luktelk“ | 119 | 4 | |
| 4 | Bambie Thug | “Doomsday Blue” | 124 | 3 | |
| 5 | Alyona Alyona and Jerry Heil | “Teresa & Maria” | 173 | 2 | |
| 6 | Luna | “The Tower” | 35 | 12 | |
| 7 | Baby Lasagna | “Rim Tim Tagi Dim” | 177 | 1 | |
| 8 | Hera Björk | “Scared of Heights” | 3 | 15 | |
| 9 | Raiven | “Veronika” | 51 | 9 | |
| 10 | Windows95man[c] | “No Rules!” | 59 | 7 | |
| 11 | Natalia Barbu | “In the Middle” | 20 | 13 | |
| 12 | Fahree feat. Ilkin Dovlatov | “Özünlə apar“ | 11 | 14 | |
| 13 | Electric Fields | “One Milkali (One Blood)” | 41 | 11 | |
| 14 | Iolanda | “Grito“ | 58 | 8 | |
| 15 | Tali | “Fighter” | 117 | 5 |
Detailed results – Scoreboard: The ten qualifiers from the first semi-final were determined solely by televoting. All fifteen countries competing in the first semi-final voted, alongside Germany, Sweden, the United Kingdom, and the aggregated Rest of the World vote. The ten qualifying countries were announced in no particular order, and the full results were published after the final was held.
| Voting procedure used:
100% Televoting
|
Total score
|
Cyprus
|
Serbia
|
Lithuania
|
Ireland
|
Ukraine
|
Poland
|
Croatia
|
Iceland
|
Slovenia
|
Finland
|
Moldova
|
Azerbaijan
|
Australia
|
Portugal
|
Luxembourg
|
Germany
|
Sweden
|
United Kingdom
|
Rest of the World
|
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
C
o
n
t
e
s
T
a
n
t
s
|
Cyprus | 67 | 4 | 1 | 4 | 4 | 7 | 2 | 12 | 12 | 7 | 8 | 4 | 1 | 1 | ||||||
| Serbia | 47 | 5 | 12 | 10 | 5 | 1 | 5 | 5 | 4 | ||||||||||||
| Lithuania | 119 | 10 | 2 | 12 | 10 | 7 | 3 | 7 | 6 | 7 | 2 | 3 | 6 | 4 | 10 | 8 | 5 | 12 | 5 | ||
| Ireland | 124 | 6 | 7 | 8 | 8 | 8 | 6 | 3 | 4 | 8 | 5 | 6 | 10 | 7 | 6 | 6 | 6 | 10 | 10 | ||
| Ukraine | 173 | 12 | 6 | 12 | 8 | 12 | 8 | 10 | 8 | 10 | 10 | 10 | 8 | 12 | 8 | 10 | 10 | 7 | 12 | ||
| Poland | 35 | 4 | 7 | 3 | 8 | 1 | 1 | 2 | 3 | 6 | |||||||||||
| Croatia | 177 | 7 | 12 | 10 | 10 | 12 | 10 | 12 | 12 | 12 | 8 | 7 | 12 | 6 | 7 | 12 | 12 | 8 | 8 | ||
| Iceland | 3 | 1 | 2 | ||||||||||||||||||
| Slovenia | 51 | 2 | 10 | 3 | 4 | 10 | 3 | 4 | 1 | 3 | 3 | 1 | 7 | ||||||||
| Finland | 59 | 6 | 5 | 6 | 5 | 5 | 6 | 3 | 5 | 2 | 3 | 8 | 4 | 1 | |||||||
| Moldova | 20 | 3 | 3 | 2 | 4 | 1 | 2 | 5 | |||||||||||||
| Azerbaijan | 11 | 1 | 1 | 1 | 1 | 1 | 6 | ||||||||||||||
| Australia | 41 | 2 | 4 | 2 | 2 | 5 | 1 | 2 | 3 | 4 | 4 | 5 | 2 | ||||||||
| Portugal | 58 | 4 | 5 | 5 | 3 | 2 | 3 | 2 | 1 | 2 | 4 | 3 | 4 | 2 | 12 | 1 | 2 | 3 | |||
| Luxembourg | 117 | 8 | 8 | 7 | 6 | 7 | 6 | 7 | 5 | 5 | 6 | 7 | 8 | 4 | 10 | 7 | 7 | 3 | 6 | ||
12 points: Below is a summary of all 12 points received in the first semi-final. Croatia received the maximum score of 12 points from eight countries, while Ukraine received five sets of 12 points. Both Lithuania and Cyprus received two sets of 12 points, while Portugal and Serbia received one each.
| # | Recipient | Countries giving 12 points |
|---|---|---|
| 8 | ||
| 5 | ||
| 2 | ||
| 1 | ||
Semi-final 2. The second semi-final took place on 9 May 2024 at 21:00 CEST and features sixteen competing countries. Those countries plus France, Italy and Spain, as well as non-participating countries under an aggregated “Rest of the World” vote, voted in this semi-final. The running order (R/O) was determined by the contest producers and was announced publicly on 26 March. In addition to the competing entries, France, Spain and Italy performed their entries during the show, appearing on stage after the entries from Czechia, Latvia and Estonia, respectively. Israel was awarded the most points in the semi-final, and qualified for the final alongside, in order of points total, the Netherlands, Armenia, Switzerland, Greece, Estonia, Latvia, Georgia, Austria, and Norway. The countries that failed to reach the final were Czechia, Denmark, Belgium, San Marino, Albania, and Malta.
This semi-final was opened by a pre-recorded segment, in which presenters Petra Mede and Malin Åkerman performed the 2023 winning song “Tattoo” with minor lyrical changes. The interval acts included Helena Paparizou, Charlotte Perrelli and Sertab Erener performing their respective winning songs – “My Number One” (Greece 2005), “Take Me to Your Heaven” (Sweden 1999) and “Everyway That I Can” (Turkey 2003) – with the audience taking part in a sing-along, and “We Just Love Eurovision Too Much”, a musical number performed by Mede that satirised various aspects of the contest and Sweden’s success in the event, with appearances by Perrelli, Sarah Dawn Finer reprising her role as Lynda Woodruff, and 2023 Finnish representative Käärijä performing an excerpt of his competing song “Cha Cha Cha”. 1984 winners for Sweden, Herreys, performed their winning song “Diggi-Loo Diggi-Ley” after the qualifiers were announced.
| R/O | Country | Artist | Song | Points | Place |
|---|---|---|---|---|---|
| 1 | Sarah Bonnici | “Loop” | 13 | 16 | |
| 2 | Besa | “Titan” | 14 | 15 | |
| 3 | Marina Satti | “Zari“ | 86 | 5 | |
| 4 | Nemo | “The Code” | 132 | 4 | |
| 5 | Aiko | “Pedestal” | 38 | 11 | |
| 6 | Kaleen | “We Will Rave” | 46 | 9 | |
| 7 | Saba | “Sand” | 36 | 12 | |
| 8 | Ladaniva | “Jako“ | 137 | 3 | |
| 9 | Dons | “Hollow” | 72 | 7 | |
| 10 | Megara | “11:11” | 16 | 14 | |
| 11 | Nutsa Buzaladze | “Firefighter” | 54 | 8 | |
| 12 | Mustii | “Before the Party’s Over” | 18 | 13 | |
| 13 | 5miinust and Puuluup | “(Nendest) narkootikumidest ei tea me (küll) midagi“ | 79 | 6 | |
| 14 | Eden Golan | “Hurricane” | 194 | 1 | |
| 15 | Gåte | “Ulveham“ | 43 | 10 | |
| 16 | Joost Klein | “Europapa“ | 182 | 2 |
Detailed results – Scoreboard: The ten qualifiers from the second semi-final were determined solely by televoting, with the exception of San Marino who were unable to provide a valid televote result and thus used the votes of their back-up jury. All sixteen countries competing in the second semi-final voted, alongside France, Italy, Spain, and the aggregated Rest of the World vote. The ten qualifying countries were announced in no particular order, and the full results of how each country voted were published after the final was held.
| Voting procedure used:
100% Televoting
100% Jury vote
|
Total score
|
Malta
|
Albania
|
Greece
|
Switzerland
|
Czechia
|
Austria
|
Denmark
|
Armenia
|
Latvia
|
San Marino
|
Georgia
|
Belgium
|
Estonia
|
Israel
|
Norway
|
Netherlands
|
France
|
Italy
|
Spain
|
Rest of the World
|
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
C
o
n
t
e
s
t
a
n
t
s
|
Malta | 13 | 3 | 5 | 4 | 1 | ||||||||||||||||
| Albania | 14 | 5 | 3 | 2 | 4 | |||||||||||||||||
| Greece | 86 | 6 | 8 | 8 | 4 | 2 | 2 | 12 | 6 | 8 | 3 | 1 | 6 | 4 | 6 | 5 | 5 | |||||
| Switzerland | 132 | 8 | 5 | 7 | 8 | 8 | 6 | 7 | 7 | 12 | 5 | 7 | 7 | 4 | 7 | 8 | 8 | 8 | 4 | 6 | ||
| Czechia | 38 | 2 | 5 | 1 | 1 | 3 | 6 | 4 | 2 | 5 | 3 | 1 | 2 | 2 | 1 | |||||||
| Austria | 46 | 3 | 4 | 4 | 4 | 2 | 3 | 4 | 2 | 1 | 1 | 3 | 8 | 2 | 2 | 3 | ||||||
| Denmark | 36 | 1 | 2 | 3 | 3 | 4 | 7 | 5 | 1 | 10 | ||||||||||||
| Armenia | 137 | 5 | 6 | 8 | 6 | 7 | 6 | 5 | 5 | 8 | 12 | 6 | 4 | 12 | 5 | 10 | 10 | 7 | 7 | 8 | ||
| Latvia | 72 | 7 | 7 | 5 | 4 | 7 | 3 | 7 | 5 | 12 | 6 | 3 | 6 | |||||||||
| San Marino | 16 | 3 | 1 | 10 | 2 | |||||||||||||||||
| Georgia | 54 | 4 | 7 | 6 | 1 | 1 | 10 | 2 | 1 | 6 | 6 | 5 | 1 | 4 | ||||||||
| Belgium | 18 | 2 | 1 | 1 | 2 | 2 | 5 | 5 | ||||||||||||||
| Estonia | 79 | 3 | 2 | 5 | 6 | 7 | 4 | 2 | 12 | 1 | 4 | 10 | 4 | 7 | 2 | 3 | 7 | |||||
| Israel | 194 | 10 | 12 | 10 | 12 | 12 | 10 | 12 | 6 | 10 | 10 | 10 | 8 | 12 | 12 | 12 | 12 | 12 | 12 | |||
| Norway | 43 | 1 | 1 | 3 | 8 | 6 | 5 | 3 | 6 | 4 | 3 | 3 | ||||||||||
| The Netherlands | 182 | 12 | 10 | 12 | 10 | 10 | 12 | 10 | 8 | 8 | 10 | 8 | 12 | 10 | 7 | 8 | 7 | 10 | 8 | 10 | ||
12 points: Below is a summary of all 12 points received in the second semi-final. Israel received the maximum score of 12 points from ten countries, followed by the Netherlands which received four sets of 12 points. Armenia received two sets of 12 points, and Switzerland, Greece and Latvia were each awarded one set of 12 points.
| # | Recipient | Countries giving 12 points |
|---|---|---|
| 10 | ||
| 4 | ||
| 2 | ||
| 1 | ||
Final. The final took place on 11 May 2024 at 21:00 CEST and featured twenty-five competing countries. All thirty-seven participating countries with jury and televote, as well as non-participating countries under an aggregated “Rest of the World” online vote, voted in the final. The running order (R/O) of the host nation was determined by a random draw on 11 March during the annual meeting of heads of the participating delegations. The running order for the remaining finalists was determined by the contest producers following the second semi-final. Despite qualifying for the final, where it was set to perform in position 5, the Netherlands was disqualified due to a backstage incident between its entrant Joost Klein and a member of the production team. It retained the right to vote in the final, and all countries that were set to perform after the Netherlands retained their running order numbers.
Switzerland won the contest with the song “The Code”, performed by Nemo and written by them along with Benjamin Alasu, Lasse Midtsian Nymann, and Linda Dale. Switzerland won with 591 points, also winning the jury vote. It was the country’s third win in the contest, following victories in the inaugural edition in 1956 and in 1988. Croatia came second with 547 points and won the televote, with Ukraine, France, Israel, Ireland, Italy, Armenia, Sweden, and Portugal completing the top ten. Georgia, Spain, Slovenia, Austria, and Norway occupied the bottom five positions.
The final was opened by Björn Skifs performing “Hooked on a Feeling”, followed by the flag parade, introducing all twenty-five finalists, set to a medley of well-known Swedish hits.[g] In a pre-recorded segment during a break between the competing performances, Sarah Dawn Finer as Lynda Woodruff performed a song about the contest’s executive supervisor Martin Österdahl, “You’re Good to Go”, which was later released as a single. The interval acts included Alcazar performing “Crying at the Discoteque”; a tribute performance of the 1974 Swedish winning song “Waterloo” by three past winners – Carola (Sweden 1991), Charlotte Perrelli (Sweden 1999) and Conchita Wurst (Austria 2014) – preceded by a pre-recorded segment from the ABBA Voyage concert residency in London in which the song’s original performers, ABBA, as their virtual avatar selves in the concert, discussed their Eurovision experience on the occasion of its 50th anniversary; and Loreen performing her new single “Forever” and her 2023 winning song “Tattoo”. Following a reprise of their winning song, the Swiss entrant Nemo broke the trophy, although its design had been strengthened after the one presented to Alexander Rybak in 2009 met a similar fate.
| R/O | Country | Artist | Song | Points | Place |
|---|---|---|---|---|---|
| 1 | Marcus & Martinus | “Unforgettable” | 174 | 9 | |
| 2 | Alyona Alyona and Jerry Heil | “Teresa & Maria” | 453 | 3 | |
| 3 | Isaak | “Always on the Run” | 117 | 12 | |
| 4 | Tali | “Fighter” | 103 | 13 | |
| — | — | ||||
| 6 | Eden Golan | “Hurricane” | 375 | 5 | |
| 7 | Silvester Belt | “Luktelk“ | 90 | 14 | |
| 8 | Nebulossa | “Zorra“ | 30 | 22 | |
| 9 | 5miinust and Puuluup | “(Nendest) narkootikumidest ei tea me (küll) midagi“ | 37 | 20 | |
| 10 | Bambie Thug | “Doomsday Blue” | 278 | 6 | |
| 11 | Dons | “Hollow” | 64 | 16 | |
| 12 | Marina Satti | “Zari“ | 126 | 11 | |
| 13 | Olly Alexander | “Dizzy” | 46 | 18 | |
| 14 | Gåte | “Ulveham“ | 16 | 25 | |
| 15 | Angelina Mango | “La noia“ | 268 | 7 | |
| 16 | Teya Dora | “Ramonda“ | 54 | 17 | |
| 17 | Windows95man[c] | “No Rules!” | 38 | 19 | |
| 18 | Iolanda | “Grito“ | 152 | 10 | |
| 19 | Ladaniva | “Jako“ | 183 | 8 | |
| 20 | Silia Kapsis | “Liar” | 78 | 15 | |
| 21 | Nemo | “The Code” | 591 | 1 | |
| 22 | Raiven | “Veronika” | 27 | 23 | |
| 23 | Baby Lasagna | “Rim Tim Tagi Dim” | 547 | 2 | |
| 24 | Nutsa Buzaladze | “Firefighter” | 34 | 21 | |
| 25 | Slimane | “Mon amour“ | 445 | 4 | |
| 26 | Kaleen | “We Will Rave“ | 24 | 24 |
Spokespersons. The spokespersons announced the 12-point score from their respective country’s national jury in the following order:
- Ukraine – Jamala
- United Kingdom – Joanna Lumley
- Luxembourg – Désirée Nosbusch
- Azerbaijan – Aysel Teymurzadeh
- San Marino – Kida
- Malta – Matt Blxck
- Croatia – Ivan Dorian Molnar
- Albania – Andri Xhahu
- Czechia – Radka Rosická
- Israel – Maya Alkulumbre
- Australia – Danny Estrin
- Denmark – Stéphanie Surrugue
- Spain – Soraya Arnelas
- Norway – Ingvild Helljesen
- Germany – Ina Müller
- Armenia – Brunette
- Slovenia – Lorella Flego
- Georgia – Sopho Khalvashi
- Switzerland – Jennifer Bosshard
- Moldova – Doina Stimpovschi
- Greece – Helena Paparizou
- Estonia – Birgit
- The Netherlands – None[h]
- Austria – Philipp Hansa
- France – Natasha St-Pier
- Italy – Mario Acampa
- Finland – Toni Laaksonen
- Portugal – Mimicat
- Belgium – Livia Dushkoff
- Iceland – Friðrik Ómar Hjörleifsson
- Latvia – Andrejs Reinis Zitmanis
- Ireland – Paul Harrington
- Poland – Viki Gabor
- Cyprus – Loukas Hamatsos
- Lithuania – Monika Linkytė
- Serbia – Konstrakta
- Sweden – Frans
Detailed results – Scoreboard: The results of the final were determined by televoting and jury voting in all thirty-seven participating countries, plus the Rest of the World aggregate public vote. The announcement of the jury points was conducted by each country individually, with the country’s spokesperson announcing their jury’s favorite entry that received 12 points, with the remaining points shown on screen. Following the completion of the jury points announcement, the public points were announced as an aggregate by the contest hosts in ascending order starting from the country which received the fewest points from the jury.
| Place | Combined | Jury | Televoting | |||
|---|---|---|---|---|---|---|
| Country | Points | Country | Points | Country | Points | |
| 1 | 591 | 365 | 337 | |||
| 2 | 547 | 218 | 323 | |||
| 3 | 453 | 210 | 307 | |||
| 4 | 445 | 164 | 227 | |||
| 5 | 375 | 146 | 226 | |||
| 6 | 278 | 142 | 136 | |||
| 7 | 268 | 139 | 104 | |||
| 8 | 183 | 125 | 85 | |||
| 9 | 174 | 101 | 82 | |||
| 10 | 152 | 99 | 58 | |||
| 11 | 126 | 83 | 49 | |||
| 12 | 117 | 52 | 44 | |||
| 13 | 103 | 46 | 33 | |||
| 14 | 90 | 41 | 32 | |||
| 15 | 78 | 36 | 31 | |||
| 16 | 64 | 34 | 28 | |||
| 17 | 54 | 32 | 20 | |||
| 18 | 46 | 22 | 19 | |||
| 19 | 38 | 19[i] | 18 | |||
| 20 | 37 | 19[i] | 13 | |||
| 21 | 34 | 15[j] | 12 | |||
| 22 | 30 | 15[j] | 11 | |||
| 23 | 27 | 12 | 5 | |||
| 24 | 24 | 7 | 4 | |||
| 25 | 16 | 4 | 0 | |||
| — | — | —[k] | — | |||
|
Voting procedure used: 100% Televoting, 100% Jury vote |
Total score
|
Jury vote score
|
Televoting score
|
Jury vote | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ukraine
|
United Kingdom
|
Luxembourg
|
Azerbaijan
|
San Marino
|
Malta
|
Croatia
|
Albania
|
Czechia
|
Israel
|
Australia
|
Denmark
|
Spain
|
Norway
|
Germany
|
Armenia
|
Slovenia
|
Georgia
|
Switzerland
|
Moldova
|
Greece
|
Estonia
|
Netherlands
|
Austria
|
France
|
Italy
|
Finland
|
Portugal
|
Belgium
|
Iceland
|
Latvia
|
Ireland
|
Poland
|
Cyprus
|
Lithuania
|
Serbia
|
Sweden
|
|||||
|
C
o
n
t
e
s
t
a
n
t
s
|
Sweden | 174 | 125 | 49 | 8 | 6 | 1 | 5 | 2 | 2 | 8 | 5 | 5 | 8 | 3 | 12 | 1 | 1 | 6 | 6 | 7 | 3 | 3 | 1 | 5 | 10 | 5 | 2 | 5 | 5 | |||||||||||
| Ukraine | 453 | 146 | 307 | 5 | 1 | 7 | 12 | 8 | 1 | 6 | 4 | 4 | 5 | 2 | 12 | 2 | 10 | 2 | 6 | 10 | 8 | 6 | 1 | 3 | 8 | 2 | 10 | 1 | 6 | 1 | 3 | ||||||||||
| Germany | 117 | 99 | 18 | 7 | 2 | 4 | 1 | 5 | 10 | 5 | 6 | 1 | 2 | 5 | 4 | 5 | 8 | 4 | 3 | 2 | 8 | 2 | 4 | 6 | 4 | 1 | |||||||||||||||
| Luxembourg | 103 | 83 | 20 | 1 | 4 | 8 | 4 | 5 | 4 | 12 | 2 | 1 | 3 | 5 | 2 | 3 | 7 | 4 | 8 | 4 | 6 | ||||||||||||||||||||
| Israel | 375 | 52 | 323 | 3 | 8 | 8 | 3 | 3 | 5 | 3 | 5 | 2 | 8 | 4 | |||||||||||||||||||||||||||
| Lithuania | 90 | 32 | 58 | 5 | 1 | 5 | 2 | 4 | 1 | 7 | 7 | ||||||||||||||||||||||||||||||
| Spain | 30 | 19 | 11 | 6 | 1 | 4 | 7 | 1 | |||||||||||||||||||||||||||||||||
| Estonia | 37 | 4 | 33 | 2 | 2 | ||||||||||||||||||||||||||||||||||||
| Ireland | 278 | 142 | 136 | 10 | 7 | 10 | 7 | 7 | 8 | 7 | 12 | 7 | 10 | 1 | 10 | 3 | 10 | 6 | 10 | 4 | 7 | 1 | 3 | 2 | |||||||||||||||||
| Latvia | 64 | 36 | 28 | 3 | 8 | 5 | 4 | 4 | 8 | 1 | 1 | 2 | |||||||||||||||||||||||||||||
| Greece | 126 | 41 | 85 | 7 | 2 | 4 | 2 | 12 | 4 | 7 | 3 | ||||||||||||||||||||||||||||||
| United Kingdom | 46 | 46 | 0 | 4 | 2 | 3 | 4 | 6 | 8 | 3 | 4 | 4 | 8 | ||||||||||||||||||||||||||||
| Norway | 16 | 12 | 4 | 6 | 1 | 1 | 2 | 2 | |||||||||||||||||||||||||||||||||
| Italy | 268 | 164 | 104 | 2 | 5 | 6 | 10 | 8 | 6 | 10 | 6 | 7 | 1 | 5 | 2 | 8 | 3 | 7 | 6 | 10 | 8 | 3 | 6 | 10 | 5 | 7 | 7 | 3 | 6 | 7 | |||||||||||
| Serbia | 54 | 22 | 32 | 3 | 1 | 2 | 5 | 4 | 1 | 1 | 5 | ||||||||||||||||||||||||||||||
| Finland | 38 | 7 | 31 | 4 | 3 | ||||||||||||||||||||||||||||||||||||
| Portugal | 152 | 139 | 13 | 3 | 12 | 3 | 5 | 1 | 12 | 5 | 3 | 3 | 3 | 10 | 8 | 4 | 7 | 4 | 6 | 8 | 12 | 2 | 4 | 1 | 5 | 6 | 8 | 4 | |||||||||||||
| Armenia | 183 | 101 | 82 | 2 | 8 | 8 | 6 | 3 | 7 | 7 | 7 | 6 | 4 | 4 | 3 | 7 | 6 | 3 | 8 | 5 | 7 | ||||||||||||||||||||
| Cyprus | 78 | 34 | 44 | 1 | 7 | 2 | 3 | 1 | 6 | 2 | 10 | 2 | |||||||||||||||||||||||||||||
| Switzerland | 591 | 365 | 226 | 12 | 10 | 12 | 12 | 12 | 12 | 12 | 10 | 5 | 10 | 12 | 12 | 12 | 5 | 7 | 10 | 12 | 7 | 12 | 12 | 12 | 12 | 5 | 12 | 12 | 12 | 10 | 6 | 12 | 12 | 12 | 6 | 12 | 10 | 12 | |||
| Slovenia | 27 | 15 | 12 | 3 | 10 | 2 | |||||||||||||||||||||||||||||||||||
| Croatia | 547 | 210 | 337 | 4 | 8 | 6 | 4 | 10 | 3 | 2 | 4 | 8 | 8 | 6 | 6 | 6 | 1 | 8 | 8 | 8 | 7 | 8 | 2 | 8 | 10 | 10 | 6 | 7 | 8 | 12 | 10 | 12 | 10 | ||||||||
| Georgia | 34 | 15 | 19 | 7 | 2 | 2 | 1 | 3 | |||||||||||||||||||||||||||||||||
| France | 445 | 218 | 227 | 6 | 10 | 6 | 4 | 4 | 1 | 10 | 7 | 10 | 10 | 12 | 12 | 10 | 5 | 6 | 7 | 7 | 10 | 5 | 1 | 5 | 12 | 12 | 10 | 3 | 3 | 10 | 7 | 8 | 5 | ||||||||
| Austria | 24 | 19 | 5 | 7 | 6 | 5 | 1 | ||||||||||||||||||||||||||||||||||
| Voting procedure used: 100% Televoting, 100% Jury vote |
Total score
|
Jury vote score
|
Televoting score
|
Televote | ||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ukraine
|
United Kingdom
|
Luxembourg
|
Azerbaijan
|
San Marino
|
Malta
|
Croatia
|
Albania
|
Czechia
|
Israel
|
Australia
|
Denmark
|
Spain
|
Norway
|
Germany
|
Armenia
|
Slovenia
|
Georgia
|
Switzerland
|
Moldova
|
Greece
|
Estonia
|
Netherlands
|
Austria
|
France
|
Italy
|
Finland
|
Portugal
|
Belgium
|
Iceland
|
Latvia
|
Ireland
|
Poland
|
Cyprus
|
Lithuania
|
Serbia
|
Sweden
|
Rest of the World
|
|||||
|
C
o
n
t
e
s
t
a
n
t
s
|
Sweden | 174 | 125 | 49 | 1 | 2 | 3 | 6 | 10 | 1 | 8 | 1 | 1 | 7 | 2 | 1 | 1 | 5 | ||||||||||||||||||||||||
| Ukraine | 453 | 146 | 307 | 6 | 7 | 8 | 10 | 12 | 8 | 7 | 12 | 10 | 6 | 10 | 10 | 8 | 8 | 3 | 8 | 12 | 6 | 12 | 3 | 12 | 8 | 7 | 8 | 10 | 6 | 10 | 7 | 5 | 10 | 8 | 12 | 8 | 12 | 8 | 10 | |||
| Germany | 117 | 99 | 18 | 1 | 8 | 3 | 4 | 2 | ||||||||||||||||||||||||||||||||||
| Luxembourg | 103 | 83 | 20 | 12 | 3 | 1 | 4 | |||||||||||||||||||||||||||||||||||
| Israel | 375 | 52 | 323 | 12 | 12 | 7 | 12 | 5 | 10 | 10 | 12 | 8 | 12 | 5 | 12 | 1 | 10 | 8 | 12 | 10 | 7 | 6 | 12 | 10 | 12 | 12 | 12 | 12 | 12 | 8 | 7 | 10 | 5 | 10 | 3 | 3 | 12 | 12 | ||||
| Lithuania | 90 | 32 | 58 | 7 | 8 | 4 | 1 | 1 | 1 | 1 | 3 | 2 | 4 | 1 | 4 | 8 | 7 | 3 | 3 | |||||||||||||||||||||||
| Spain | 30 | 19 | 11 | 2 | 1 | 3 | 3 | 2 | ||||||||||||||||||||||||||||||||||
| Estonia | 37 | 4 | 33 | 4 | 4 | 7 | 12 | 6 | ||||||||||||||||||||||||||||||||||
| Ireland | 278 | 142 | 136 | 8 | 10 | 4 | 2 | 4 | 5 | 6 | 8 | 3 | 7 | 4 | 1 | 2 | 2 | 4 | 2 | 2 | 2 | 6 | 2 | 3 | 5 | 5 | 2 | 3 | 3 | 6 | 2 | 5 | 7 | 4 | 7 | |||||||
| Latvia | 64 | 36 | 28 | 5 | 4 | 4 | 2 | 1 | 3 | 5 | 4 | |||||||||||||||||||||||||||||||
| Greece | 126 | 41 | 85 | 1 | 5 | 1 | 7 | 2 | 4 | 2 | 3 | 2 | 5 | 10 | 2 | 4 | 3 | 4 | 1 | 2 | 4 | 12 | 8 | 3 | ||||||||||||||||||
| United Kingdom | 46 | 46 | 0 | |||||||||||||||||||||||||||||||||||||||
| Norway | 16 | 12 | 4 | 3 | 1 | |||||||||||||||||||||||||||||||||||||
| Italy | 268 | 164 | 104 | 3 | 3 | 3 | 8 | 7 | 8 | 7 | 4 | 3 | 6 | 3 | 3 | 8 | 4 | 4 | 2 | 1 | 4 | 4 | 3 | 1 | 4 | 3 | 2 | 4 | 1 | 1 | ||||||||||||
| Serbia | 54 | 22 | 32 | 3 | 12 | 2 | 5 | 5 | 5 | |||||||||||||||||||||||||||||||||
| Finland | 38 | 7 | 31 | 2 | 3 | 4 | 2 | 1 | 8 | 1 | 1 | 3 | 1 | 5 | ||||||||||||||||||||||||||||
| Portugal | 152 | 139 | 13 | 6 | 2 | 5 | ||||||||||||||||||||||||||||||||||||
| Armenia | 183 | 101 | 82 | 1 | 3 | 1 | 5 | 6 | 1 | 3 | 4 | 10 | 1 | 1 | 5 | 3 | 3 | 10 | 4 | 2 | 5 | 2 | 4 | 1 | 2 | 5 | ||||||||||||||||
| Cyprus | 78 | 34 | 44 | 6 | 4 | 5 | 1 | 5 | 4 | 6 | 12 | 1 | ||||||||||||||||||||||||||||||
| Switzerland | 591 | 365 | 226 | 12 | 5 | 2 | 10 | 5 | 6 | 1 | 3 | 7 | 7 | 5 | 6 | 6 | 7 | 8 | 4 | 7 | 5 | 8 | 7 | 7 | 8 | 6 | 7 | 8 | 6 | 6 | 6 | 4 | 6 | 8 | 6 | 8 | 6 | 7 | 6 | |||
| Slovenia | 27 | 15 | 12 | 10 | 2 | |||||||||||||||||||||||||||||||||||||
| Croatia | 547 | 210 | 337 | 10 | 7 | 10 | 12 | 8 | 10 | 12 | 8 | 5 | 10 | 12 | 8 | 12 | 10 | 7 | 12 | 5 | 10 | 7 | 6 | 10 | 10 | 12 | 7 | 8 | 10 | 7 | 8 | 12 | 5 | 12 | 10 | 5 | 10 | 12 | 10 | 8 | ||
| Georgia | 34 | 15 | 19 | 5 | 4 | 5 | 5 | |||||||||||||||||||||||||||||||||||
| France | 445 | 218 | 227 | 6 | 2 | 8 | 2 | 6 | 7 | 6 | 6 | 4 | 2 | 2 | 7 | 5 | 7 | 6 | 12 | 7 | 6 | 7 | 6 | 10 | 5 | 5 | 6 | 6 | 4 | 8 | 10 | 10 | 6 | 4 | 7 | 7 | 7 | 10 | 6 | 2 | ||
| Austria | 24 | 19 | 5 | 3 | 2 | |||||||||||||||||||||||||||||||||||||
12 points: Below is a summary of all 12 points received in the final. In the jury vote, Switzerland received the maximum score from twenty-two countries, followed by France and Portugal with four and three sets of 12 points, respectively. Croatia and Ukraine received two sets of 12 points, and Croatia, Greece, Ireland, Luxembourg, and Sweden were each awarded one set of 12 points. In the public vote, Israel received the maximum score of 12 points from fourteen countries and the Rest of the World vote, followed by Croatia with nine sets of 12 points, and Ukraine with seven. Cyprus, Estonia, France, Greece, Luxembourg, Serbia, and Switzerland were each awarded one set of 12 points.
| # | Recipient | Countries giving 12 points |
|---|---|---|
| 22 | ||
| 4 | ||
| 3 | ||
| 2 | ||
| 1 | ||
| # | Recipient | Countries giving 12 points |
|---|---|---|
| 15 | ||
| 9 | ||
| 7 | ||
| 1 | ||
6.Broadcasts. All participating broadcasters may choose to have on-site or remote commentators providing insight and voting information to their local audience. While they must broadcast at least the semi-final they are voting in and the final, most broadcasters air all three shows with different programming plans. In addition, some non-participating broadcasters air the contest. The Eurovision Song Contest YouTube and TikTok channels provides international live streams with no commentary of all shows.
| Country | Broadcaster | Channel(s) | Show(s) | Commentator(s) | |
|---|---|---|---|---|---|
| RTSH | RTSH 1, RTSH Muzikë, Radio Tirana | All shows | Andri Xhahu | ||
| AMPTV | Armenia 1 | All shows | Hrachuhi Utmazyan and Sevak Hakobyan | ||
| SBS | SBS | All shows | Myf Warhurst and Joel Creasey | ||
| ORF | ORF 1 | All shows | Andi Knoll | ||
| FM4 | Final | Jan Böhmermann and Olli Schulz | |||
| İTV | All shows | Nurlana Jafarova | |||
| RTBF | Tipik | SF1 | French: Maureen Louys and Jean-Louis Lahaye | ||
| La Une | SF2, final | ||||
| VivaCité | Final | ||||
| VRT | VRT 1 | All shows | Dutch: Peter Van de Veire | ||
| Radio 2 | Final | ||||
| HRT | HRT 1 | All shows | Duško Ćurlić | ||
| HR 2 | Zlatko Turkalj | ||||
| CyBC | RIK 1, RIK Sat | All shows | Melina Karageorgiou and Hovig Demirjian | ||
| RIK Trito | Unknown | ||||
| ČT | ČT2 | All shows | Vašek Matějovský, Patricie Kaňok Fuxová and Dominika Hašková | ||
| DR | DR1 | All shows | Ole Tøpholm | ||
| ERR | ETV | All shows | Estonian: Marko Reikop | ||
| ETV+ | Russian: Aleksandr Hobotov and Julia Kalenda | ||||
| ETV2 | Estonian Sign Language: various interpreters | ||||
| Yle | Yle TV1, TV Finland | All shows | Finnish: Mikko Silvennoinen Swedish: Eva Frantz and Johan Lindroos |
||
| Yle Radio Suomi | Finnish: Toni Laaksonen and Sanna Pirkkalainen | ||||
| Yle X3M | Swedish: Eva Frantz and Johan Lindroos | ||||
| Yle Areena[l] | Inari Sámi: Heli Huovinen Northern Sámi: Aslak Paltto |
||||
| SF1, final | Russian: Levan Tvaltvadze | ||||
| France Télévisions | Culturebox | Semi-finals | Nicky Doll | ||
| France 2 | Final | Stéphane Bern and Laurence Boccolini | |||
| GPB | 1TV | All shows | Nika Lobiladze | ||
| ARD/NDR | One | Semi-finals | Thorsten Schorn | ||
| Das Erste | Final | ||||
| ARD/RBB | Radio Eins | Amelie Ernst and Max Spallek | |||
| ERT | ERT1 | All shows | Thanasis Alevras and Jérôme Kaluta | ||
| Deftero Programma | Dimitris Meidanis | ||||
| RÚV | RÚV | All shows | Gunna Dís Emilsdóttir | ||
| RÚV 2 | Icelandic Sign Language: various interpreters | ||||
| Rás 2 | SF1, final | Gunna Dís Emilsdóttir | |||
| RTÉ | RTÉ One | SF1, final | Marty Whelan | ||
| RTÉ2 | SF2 | ||||
| RTÉ 2fm | SF1, final | Zbyszek Zalinski and Neil Doherty | |||
| IPBC | Kan 11 | Semi-finals | Asaf Liberman and Akiva Novick | ||
| Final | Asaf Liberman, Akiva Novick and Yoav Tzafir | ||||
| Kan 88, Kan Tarbut, Kan Bet | Unknown | ||||
| RAI | Rai 2 | Semi-finals | Gabriele Corsi and Mara Maionchi | ||
| Rai 1 | Final | ||||
| Rai Radio 2 | All shows | Diletta Parlangeli and Matteo Osso | |||
| LTV | LTV1 | Semi-finals | Toms Grēviņš | ||
| Final | Toms Grēviņš and Lauris Reiniks | ||||
| LRT | LRT TV, LRT Radijas | All shows | Ramūnas Zilnys | ||
| RTL | RTL, RTL Radio | All shows | Luxembourgish: Raoul Roos and Roger Saurfeld | ||
| RTL Today | English: Sarah Tapp and Meredith Moss | ||||
| RTL Infos | SF1, final | French: Jerôme Didelot and Emma Sorgato | |||
| PBS | TVM | All shows | No commentary | ||
| TRM | Moldova 1, Radio Moldova | All shows | Angela Rudenco | ||
| NPO/AVROTROS | NPO 1, BVN | All shows | Cornald Maas and Jacqueline Govaert | ||
| NPO Radio 2 | Final | Carolien Borgers | |||
| NRK | NRK1 | All shows | Marte Stokstad | ||
| NRK P1 | Final | Jon Marius Hyttebakk | |||
| TVP | TVP1, TVP Polonia | All shows | Artur Orzech | ||
| RTP | RTP1, RTP Internacional | All shows[m] | José Carlos Malato and Nuno Galopim | ||
| RTP África | SF1, final[n] | ||||
| SMRTV | San Marino RTV | All shows | Lia Fiorio and Gigi Restivo | ||
| RTS | RTS 1,[o] RTS Svet | All shows | Duška Vučinić | ||
| Radio Beograd 1 | SF1 | Katarina Epstein | |||
| Final | Katarina Epstein and Nikoleta Dojčinović | ||||
| RTVSLO | TV SLO 1 | SF1, final | Mojca Mavec | ||
| TV SLO 2 | SF2 | ||||
| Radio Val 202 | SF1, final | Maj Valerij | |||
| RTVE | La 2 | SF1 | Spanish: Julia Varela and Tony Aguilar | ||
| La 1 | SF2 | ||||
| Final | Spanish: Julia Varela and Tony Aguilar Catalan: Sònia Urbano and Xavi Martínez |
||||
| TVE Internacional | All shows | Spanish: Julia Varela and Tony Aguilar | |||
| Radio Nacional | Final | Spanish: David Asensio, Sara Calvo, Ángela Fernández, Manu Martín-Albo and Luis Miguel Montes | |||
| Ràdio 4 | Catalan: Sònia Urbano and Xavi Martínez | ||||
| SVT | SVT1 | All shows | Swedish: Tina Mehrafzoon and Edward af Sillén | ||
| SVT Play[p] | Inari Sámi: Heli Huovinen[q] Northern Sámi: Aslak Paltto[q] |
||||
| SR | SR P4 | All shows | Swedish: Carolina Norén | ||
| SRG SSR | RSI La 2 | Semi-finals | Italian: Ellis Cavallini and Gian-Andrea Costa | ||
| RSI La 1 | Final | ||||
| RTS 2 | Semi-finals | French: Jean-Marc Richard and Nicolas Tanner | |||
| RTS 1 | Final | French: Jean-Marc Richard, Nicolas Tanner and Julie Berthollet | |||
| SRF zwei | Semi-finals | German: Sven Epiney | |||
| SRF 1 | Final | ||||
| Suspilne | Suspilne Kultura | Semi-finals | Ukrainian: Timur Miroshnychenko | ||
| Final | Ukrainian: Timur Miroshnychenko and Vasyl Baidak | ||||
| All shows | Ukrainian sign language: Tetiana Zhurkova, Inna Petrova, Iryna Skolotova, Yuliia Porplik, Anfisa Boldusieva and Lada Sokoliuk | ||||
| Radio Promin | Dmytro Zakharchenko and Lesia Antypenko[r] | ||||
| BBC | BBC One | Semi-finals | Scott Mills and Rylan Clark | ||
| Final | Graham Norton | ||||
| BBC Red Button | All shows | British Sign Language: various interpreters | |||
| BBC Radio 2 | Semi-finals | Richie Anderson | |||
| Final | Scott Mills and Rylan Clark | ||||
| Country | Broadcaster | Channel(s) | Show(s) | Commentator(s) | |
|---|---|---|---|---|---|
| Zapping | Zapping Music Live | Final | Priscila Bertozzi | ||
| Zapping | Zapping Channel | Final | Rayén Araya and Ignacio Lira | [] | |
| RTK | RTK 1, Radio Kosovo 2 | All shows | Agron Krasniqi and Egzona Rafuna | ||
| RTCG | TVCG 1 | All shows | Dražen Bauković | ||
| Radio 98 | Unknown | ||||
| MRT | MRT 1, Radio Skopje | All shows | Aleksandra Jovanovska | ||
| Zapping | Zapping Music Live | Final | Rayén Araya and Ignacio Lira | ||
| RTVS | Rádio FM | Final | Daniel Baláž, Lucia Haverlík, Pavol Hubinák and Juraj Malíček | ||
| NBC | Peacock | All shows | No commentator | ||
| WJFD-FM | Final | Ewan Spence and Samantha Ross | |||
Find out how to watch!
Other awards. In addition to the main winner’s trophy, the Marcel Bezençon Awards and the You’re a Vision Award will be contested during the Eurovision Song Contest 2024. The OGAE (General Organisation of Eurovision Fans) voting poll also took place before the contest.
Marcel Bezençon Awards. The Marcel Bezençon Awards, organised since 2002 by Sweden’s then-head of delegation and 1992 representative Christer Björkman, and winner of the 1984 contest Richard Herrey, honours songs in the contest’s final. The awards are divided into three categories: the Artistic Award, the Composers Award, and the Press Award. The winners were revealed shortly before the Eurovision final on 11 May.
| Category | Country | Song | Performer(s) | Songwriter(s) |
|---|---|---|---|---|
| Artistic Award | “The Code” | Nemo |
Benjamin Alasu, Lasse Midtsian Nymann, Linda Dale, Nemo Mettler |
|
| Composers Award | ||||
| Press Award | “Rim Tim Tagi Dim” | Baby Lasagna |
Marko Purišić |
OGAE. OGAE, an organisation of over forty Eurovision Song Contest fan clubs across Europe and beyond, conducts an annual voting poll first held in 2002 as the Marcel Bezençon Fan Award. After all votes were cast, the top-ranked entry in the 2024 poll was “Rim Tim Tagi Dim” performed by Baby Lasagna; the top five results are shown below.
| Country | Performer | Song | OGAE result |
|---|---|---|---|
| Baby Lasagna | “Rim Tim Tagi Dim” | 356 | |
| Angelina Mango | “La noia“ | 338 | |
| Nemo | “The Code” | 290 | |
| Mustii | “Before the Party’s Over” | 223 | |
| Slimane | “Mon amour“ | 188 |
You’re a Vision Award. The You’re a Vision Award (a word play of “Eurovision”), established in 2022 by the fansite Songfestival.be following the cancellation of the Barbara Dex Award due to its associated negative connotations, aims to “celebrate the creativity and diversity that embody the Eurovision spirit”, with the winner being the one with the most notable outfit. Croatia’s Baby Lasagna won the 2024 award, with Ireland’s Bambie Thug and the Netherlands’ Joost Klein completing the top three.
| Place | Country | Performer(s) |
|---|---|---|
| 1 | Baby Lasagna | |
| 2 | Bambie Thug | |
| 3 | Joost Klein |
Incidents and controversies. The 2024 contest was deemed by some publications as a particularly controversial edition,[r] with Scottish newspaper The National writing, “it is very clear that, in the words of winner Nemo themself after their win, ‘maybe Eurovision needs a little bit of fixing’.”
Israeli participation. The inclusion of Israel in the contest became controversial due to the Israel–Hamas war. There were calls for Israel to be excluded, and, when the EBU rejected this, various campaigns for participants and viewers to boycott the contest. The Israeli national selection was also controversial, with its chosen entry for the contest ultimately rewritten, as the lyrics of the original version of the song, titled “October Rain”, were seen as referencing the 2023 Hamas-led attack on Israel, a breach of political neutrality rules; it was subsequently retitled “Hurricane”. Other acts dismissed the idea of boycotting but called for peace in the region. During the competition, the Israeli foreign ministry ran a campaign in French, Italian, Spanish, German, Czech, Latvian, Estonian, Georgian and English, urging non-viewers to vote for the Israeli contestant, stating “in view of the wave of hatred and Muslim demonstrations in Malmö, a counter-reaction of the silent majority is taking place. The Europeans do not like what they see.” This campaign has been partially credited for Israel’s second place positioning in the final’s televoting.
Onstage display of pro-Palestinian gestures. Before the first semi-final, Ireland‘s entrant Bambie Thug was asked to replace Ogham-script text written on their body relating to the Israel–Hamas war. During the opening act of the first semi-final, Eric Saade, whose father is Palestinian, performed wearing a keffiyeh. The EBU stated that his keffiyeh was a political symbol and that it regretted Saade’s choice to “compromise the non-political nature of the event”.
During the final, the Portuguese entrant Iolanda wore nail art featuring Palestinian symbols, and said “peace will prevail” at the end of her performance. The Portuguese delegation later claimed that the EBU did not upload Iolanda’s performance in the final to its platforms, opting to use the semi-final performance instead, due to this. The Portuguese broadcaster RTP issued a complaint to the EBU, and Iolanda’s performance in the final was uploaded later during the show. The EBU stated that technical difficulties were the reason for the semi-final performance being initially uploaded instead of the final performance.
Misconduct allegations. Shortly after the first semi-final, an official complaint was lodged with the EBU regarding claims that members of Israeli fan clubs, two of which were officially associated with the EBU, “[harassed] the Irish delegation at the EuroClub nightclub.” Unverified videos and claims were posted online purporting to show “Israeli delegates and journalists harassing other media and delegations”, and a Spanish reporter was allegedly harassed by Israeli media after shouting a pro-Palestinian slogan, prompting the Spanish broadcaster RTVE to request the EBU to “ensure freedom of press and opinion.” Ireland, Switzerland, and Greece were all absent from the flag parade of the third dress rehearsal for the final, held the afternoon before the live show. Bambie Thug stated that they were absent due to “a situation […] which [they] felt needed urgent attention from the EBU”. The Dutch broadcaster AVROTROS issued two complaints to the EBU regarding an “unsafe environment in the arena”. No action was taken on the complaints during the contest. According to a report by Norwegian newspaper VG, Greece, Ireland, Norway, Portugal, Switzerland, and the United Kingdom all considered withdrawing from the final, before reaching an agreement with the EBU 25 minutes prior to the start of the show; Greek broadcaster ERT, head of the Swiss delegation Yves Schifferle, and Iolanda’s management agency denied that the delegations were considering withdrawal, with Schifferle confirming that Nemo themself led the talks with the EBU. Magnus Børmark, guitarist for the Norwegian representatives Gåte, also confirmed that there were withdrawal talks.
Following the contest, delegations from Serbia and Slovenia stated that they would prepare complaints to the EBU regarding the behaviour of the Israeli delegation, as of 15 May 2024. The Portuguese delegation asked for clarification from the EBU regarding incidents that occurred during the final, supported by delegations from Croatia, France, Norway, and Spain. The Israeli delegation accused other delegations and artists of “immense pressure and an unprecedented display of hatred”.
Claims of audience audio changes. Before, during, and after Golan’s performances, booing from the audience in the venue was reported. There were claims by fans that the volume of the booing in the broadcasts was lowered by anti-booing technology, and that pre-recorded applauses were played. RTP’s director, Nicolau Santos, as well as AVROTROS, supported these claims, and criticised the EBU’s usage of the technology. The Slovenian broadcaster RTVSLO also addressed claims of audio distortion. The EBU and SVT denied these allegations, stating that they “do not censor sound from the arena audience. The same principle applies to all competing performances and opening and interval acts.” Anti-booing technology was previously used in the 2015 contest.
Televoting results. At the end of the broadcast of the second semi-final, in which Italy voted, Italian broadcaster RAI displayed what appeared to be the televoting percentages recorded in the country. This contravened the rules of the contest, according to which the detailed results from all shows can only be published after the final. It was later clarified by RAI that the results shown were not complete, but were in fact partial results of the vote. The results from Italy published after the contest were different to the ones aired. Following the contest, RTVSLO called the televoting results into question, citing its doubts in the validity of the Slovenian vote, as well as questioning the introduction of the Rest of the World vote.
Dutch entry disqualification. During the first dress rehearsal for the final, the Dutch representative Joost Klein did not appear for his performance despite being present during the flag parade. An EBU press release said it was “investigating an incident reported to [it] involving the Dutch artist”, as well as that “he [would] not be rehearsing until further notice”. He was also not present for the jury show, and a recording of his performance from the second semi-final was used there instead.
The incident occurred backstage shortly after Klein’s performance in the second semi-final, and involved a female camera operator, who filed a complaint against Klein to the Swedish Police Authority. Klein was claimed to have made a threatening gesture toward the operator, following the female camera operator’s recording of Klein on his way to the green room; AVROTROS claimed it was agreed he would not be filmed there. Further details of the altercation are unclear; however, the Swedish Police Authority stated that no assault had occurred. AVROTROS and its parent broadcasting organisation NPO held discussions with the EBU, ultimately leading the EBU to disqualify the Dutch entry from the final. This was the first time in the contest’s history that an entrant was disqualified after qualifying for the final, since the semi-finals were introduced. AVROTROS called the penalty “disproportionate” and “shocking”
Enforcement of flag policy. Swiss winner Nemo claimed in a press conference after their win that the non-binary flag had been banned by the EBU from the venue, accusing the organisers of “double standards” regarding the alleged forcing of fans to dispose of their flags before entering the venue. The singer, who identifies as non-binary and was the first openly non-binary performer to win the contest, admitted to violating this by bringing a non-binary flag in, which they displayed in the green room. The European Commission’s vice president, Margaritis Schinas, also claimed on 13 May that the flag of the European Union (EU) was among those not permitted; he later filed a formal complaint to the EBU, after calling it a “gift” for the “enemies of Europe”, a month ahead of the 2024 European Parliament election. The EBU responded by stating that “SVT’s policy was to allow the flags of the participating countries and the rainbow flags,” that there had not been an express ban on the EU flag in the written policy, and that “due to heightened geopolitical tensions, the flag policy was more rigorously enforced by security at this year’s event.” It also stated that it would review the flag policy with the Swiss Broadcasting Corporation (SRG SSR), which is set to host the 2025 contest following Nemo’s win.
Reception. Following the 2024 contest, four entries entered the Billboard Global 200 chart dated 25 May 2024: the Netherlands’ “Europapa” at number 51, Switzerland’s winning entry “The Code” at number 52, Croatia’s “Rim Tim Tagi Dim” at number 139, and France’s “Mon amour” at number 144. On the Billboard Global Excl. US chart also dated 25 May 2024, the four aforementioned entries entered at numbers 24, 21, 64, and 61, respectively, followed by Italy’s “La noia” at number 129 and Ukraine’s “Teresa & Maria” at number 130. “La noia” had previously peaked at number 51 on the Global Excl. US chart and at number 110 on the Global 200 chart following its win at the Sanremo Music Festival 2024, which also doubled as the Italian national final.

8.Official album. Eurovision Song Contest: Malmö 2024 is the official compilation album of the contest, featuring all 37 entries. It was put together by the European Broadcasting Union and was released by Universal Music Group digitally on 12 April 2024, in CD format on 19 April 2024, and will be released in vinyl format on 24 May 2024.
Charts.
| Chart (2024) | Peak position |
|---|---|
| Australian Albums (ARIA) | 22 |
| Belgian Compilation Albums (Ultratop 50 Flanders) | 1 |
| Belgian Compilation Albums (Ultratop 50 Wallonia) | 1 |
| Czech Albums (ČNS IFPI) | 6 |
| Danish Compilation Albums (Tracklisten) | 7 |
| Dutch Compilation Albums (Compilation Top 30) | 1 |
| Finnish Physical Albums (Suomen virallinen lista) | 8 |
| German Compilation Albums (Offizielle Top 100) | 1 |
| Greek Albums (IFPI) | 9 |
| Irish Compilation Albums (IRMA) | 1 |
| Italian Physical Albums (FIMI) | 20 |
| Polish Physical Albums (ZPAV) | 32 |
| Slovak Albums (ČNS IFPI) | 15 |
| Swedish Physical Albums (Sverigetopplistan) | 3 |
| Swiss Compilation Albums (Swiss Hitparade) | 1 |
| UK Compilation Albums (OCC) | 1 |
| US Compilation Albums (Billboard) | 7 |
At Eurovision. The Eurovision Song Contest 2024 will take place at the Malmö Arena in Malmö, Sweden, and consist of two semi-finals held on the respective dates of 7 and 9 May and the final on 11 May 2024. All nations with the exceptions of the host country and the “Big Five” (France, Germany, Italy, Spain and the United Kingdom) are required to qualify from one of two semi-finals in order to compete for the final; the top ten countries from each semi-final will progress to the final. On 30 January 2024, an allocation draw was held to determine which of the two semi-finals, as well as which half of the show, each country will perform in; the EBU split up the competing countries into different pots based on voting patterns from previous contests, with countries with favourable voting histories put into the same pot. At the request of Kan, Israel was allocated to the second semi-final as the rehearsal date for the first one coincides with Yom HaShoah; the country was drawn to perform in the second half of the semi-final.

The Grand Final of the Eurovision Song Contest 2024 will take place in the Malmö Arena on Saturday 11 May with Semi-Finals on Tuesday 7 and Thursday 9 May.
Grand Final – Saturday 11 May 2024, 21:00 CEST
📺 Find out how to watch!
Second Semi-Final – Thursday 9 May 2024, 21:00 CEST
📺 Find out how to watch!
First Semi-Final – Tuesday 7 May 2024, 21:00 CEST
📺 Find out how to watch!
It is the third time that Malmö has hosted the Eurovision Song Contest following 1992 and 2013 editions and it will be the first time the Eurovision Song Contest hasn’t visited a capital city for 5 consecutive Contests.
Sweden itself will host the Eurovision Song Contest for the 7th time in 2024 having previously also staged the competition in Stockholm in 1975, 2000 and 2016, in Gothenburg in 1985, and those Contests in Malmö.

United By Music. Following its hugely successful use by the BBC, it was agreed by SVT and the Eurovision Song Contest Reference Group (the Contest governing board), to use United By Music as the official slogan for the Eurovision Song Contest in Malmö, Sweden, as well.
Furthermore, it was decided to keep the slogan for all successive events as part of the Contest’s global brand strategy.

The Hosts. The 68th Eurovision Song Contest will be hosted by a Hollywood star and an iconic Eurovision-veteran; Malin Åkerman and Petra Mede will together lead the three broadcasts, live from Malmö Arena.
The Eurovision Song Contest will be broadcast live from Malmö Arena (next to Hyllie train station) but alongside the TV shows will be a whole range of activities across the city from May 4 – 11.
For practical guidance on how to travel around Malmö during Eurovision week, you can read our handy guide on getting around the city.
For more information about the Eurovision Song Contest 2024, you can head to our Frequently Asked Questions section.
A full programme has been made available on the Malmö website, featuring every event as well as all dates and times you need to make a note of.
There is a bag ban in Eurovision Village from 4 May to 11 May. There is also a bag ban at Malmö Live from 4 May to 12 May. The bag ban applies to all types of bags regardless of size – including small bags, such as handbags, tote bags and plastic bags. You are not allowed to bring in items that are larger than what you can fit in your pocket.

Eurovision Village. Sweden’s oldest ‘folk park’, and one of Malmö’s most beloved public places, will transform into the Eurovision Village from May 4-11. The park will become a dedicated Eurovision area, with unique experiences and encounters between Eurovision fans, Malmö residents and visitors. Entry into the Eurovision Village will be free of charge for the whole week to anyone who wishes to come along.
The live broadcast of the Second Semi-Final and the Grand Final from Malmö Arena will be shown on big screens here on May 11 at 21:00 CEST. Admission is free and does not require a ticket.
During the rest of the week, the main stage, the Euphoria Stage, will focus on the Eurovision Village opening, special events, concerts with Eurovision names and other artists. The smaller stage, the Tattoo Stage, will also focus on concerts and other special events with a smaller audience.
You can check out the full programme of Eurovision Village events right here.
There will be several areas for activities and socialising. The park’s independent cultural and food establishments will have their own programmes and contribute to a vibrant overall experience.
Those who want to continue the celebration can easily walk, cycle or use public transport to reach the parties and clubs in central Malmö, just a few minutes away.
Eurovision Artists. A selection of the acts competing at the 68th Eurovision Song Contest have been confirmed to be performing at the Eurovision Village.
The artists will perform at the Euphoria stage in Folkets Park across 4 evenings throughout the week, offering visitors and locals a chance to see the songs performed outside of Malmö Arena. And the city of Malmö has promised some surprises, too…
- 4 May / 21:00 – 22:00: LADANIVA (Armenia), Mustii (Belgium), Gåte (Norge), iolanda (Portugal)
- 7 May / 19:00 – 20:00: BESA (Albania), Angelina Mango (Italy), Sarah Bonnici (Malta), Kaleen (Austria)
- 8 May / 15:00 – 16:00: Hera Björk (Iceland), Natalia Barbu (Moldavia), Teya Dora (Serbia)
- 9 May / 15:00 – 16:00: Fahree feat. Ilkin Dovlatov (Azerbaijan), Windows95man (Finland), Silvester Belt (Lithuania), ISAAK (Germany)
Eurovision Street. Friisgatan, a popular car-free street in Malmö which is filled with restaurants and cafés, will become Eurovision Street – the lively stretch between Triangeln station and Eurovision Village.
On your walk along the street you’ll be able to encounter musical surprises and food from all over the city and the world.
Eurovision Street will not only be a pathway in the Host City but also a place to stop, experience and socialise during the delightful days and evenings of early May.
Malmö Live – a Eurovision bubble inside and outside. Malmö Live Congress and Concert Hall will be a house filled with parties during the Eurovision Song Contest. Here, Malmö hosts the opening ceremony and the closing Grand Final Party for a celebration of music and community, with a playful programme in between.
Malmö Live will also host the Turquoise carpet and Euroclub.
Malmö Live’s location, just a stone’s throw away from Malmö Central Station, offers a quick train ride to and from Malmö Arena and Eurovision Village.
The Grand Final Party at Malmö Live. On the all-important evening of 11 May, fans, locals and visitors are invited to the vibrant Eurovision Song Contest Grand Final party at Malmö Live.
During the evening, the SVT broadcast of the Grand Final will be shown on big screens in two different locations in the venue: in the concert hall (seated) and in the congress hall (standing). There will also be smaller screens around the building so that no one in attendance misses what is happening live at Malmö Arena.
Then, after the screening, when we have a new Eurovision winner, Malmö Live will transform into a large, pulsating after-party – so that everyone can get celebrating.
You can find more information about the Grand Final Party right here.

EuroGlam. EuroGlam is popping up especially for the occasion, with the promise of being an oasis in the sunniest area of Eurovision Village.
The open-air restaurant, open 4 to 11 May from 12 to 22:00 CET, offers food, drinks and entertainment – and a marvellous view of the Eurovision Village stage. And to maximise the Eurovision experience, guests are invited to visit their indoor venue for broadcastings of the Live Shows, pre- and afterparties, plus dinner shows with drag, karaok and dancing.
You can check out the full programme right here and it is advised to look into getting tickets at the earliest opportunity, with the coveted spot in Eurovision Village expected to be popular.
EuroClub. EuroClub and the Grand Final Party will take place at Malmö Live Congress and Concert Hall close to Malmö Central Station; set to be one of the main hot spots during the nights of Eurovision week. EuroClub will be open from Saturday 4th May until Friday 10th May.
The opening hours will be between 22:00 – 05:00 CEST with the exception of Tuesday and Thursday, when the club opens one hour later at 23:00.
As well as dancing the night away (and the early hours, too, judging by those opening times!), revellers in attendance will also be able to enjoy live music from plenty of Eurovision and Eurovision-adjacent artists. The programme for each evening’s lineup of performances will be announced daily, in the morning, on the official Instagram account of EuroClub – @eurovision_euroclub
The EuroClub organisers have got more than 15 acts confirmed for performances during the week. They come from more than 10 countries and have competed at the Eurovision Song Contest over the past five decades. And that’s not counting the participants of the 68th Eurovision Song Contest, of course, some of which will be popping up to perform too.
There’ll also be no less than 12 DJs hailing from 9 different countries playing the tunes across the two dance floors until 5 in the morning. And the organisers have promised some specially themed nights, too.
For more information about EuroClub, including details on tickets, you can visit their website.
Tickets for Eurovision 2024 in Malmö.
How can I buy tickets for the Eurovision Song Contest 2024 in Malmö, Sweden? Tickets for the 68th Eurovision Song Contest in Malmö went on sale via Ticketmaster.se.
Current Status of Tickets: Some tickets are being made available via ticketmaster.se. We thank fans for their patience.
We strongly advise only to purchase tickets from the official seller Ticketmaster and not on any secondary platform.
Resale tickets will be available on the official Ticketmaster platform from 12 December.
If you haven’t bought tickets for a Eurovision Song Contest before: listen up! The Eurovision Song Contest isn’t just one Saturday night spectacular… it isn’t even just the three broadcast Semi-Finals and Grand Final… it’s actually 9 arena shows across the Monday, Tuesday, Wednesday, Thursday, Friday and Saturday of Eurovision week!
Tickets will be available for the nine Eurovision Song Contest arena shows from Ticketmaster.se – you can set up a Ticketmaster account now, regardless of the country you live in, so you’re ready for the on sale date.
There are 9 shows in total! Once ready, tickets will go on sale for the following 9 shows:
- First Semi-Final: Evening Preview: Monday 6 May (Jury Show); Afternoon Preview: Tuesday 7 May (Family Show); Live TV Show: Tuesday 7 May.
- Second Semi-Final: Evening Preview: Wednesday 8 May (Jury Show); Afternoon Preview: Thursday 9 May (Family Show); Live TV Show: Thursday 9 May.
- Grand Final: Evening Preview: Friday 10 May (Jury Show); Afternoon Preview: Saturday 11 May (Family Show); Live TV Show: Saturday 11 May.
The Arena Shows:
First Semi-Final:
- Evening Preview: Monday 6 May (Jury Show)
- Afternoon Preview: Tuesday 7 May (Family Show)
- Live TV Show: Tuesday 7 May
Second Semi-Final:
- Evening Preview: Wednesday 8 May (Jury Show)
- Afternoon Preview: Thursday 9 May (Family Show)
- Live TV Show: Thursday 9 May
Grand Final:
- Evening Preview: Friday 10 May (Jury Show)
- Afternoon Preview: Saturday 11 May (Family Show)
- Live TV Show: Saturday 11 May
The Evening Preview (previously known as the ‘Jury Show’) is a full run through of the show that takes place the night before the televised version. It’s when the international juries cast their votes for the participants. Audiences can stay for a randomised version of the qualifier/points reveals, as the presenters rehearse for different scenarios.
The Afternoon Preview (previously known as the ‘Family Show’) is a full run through of the show that takes place earlier in the day of the Live TV Show; it serves as one final rehearsal for the artists and crew, and as the name suggests, it’s much more convenient for those who wish to bring younger Eurovision fans. Again, the Family Show features a randomly generated presentation of the qualifiers and points.
The Live TV Show is exactly that: a live television show. Audiences across Europe (and Australia) will get to cast their votes to add to the Jury scores. No randomisations this time – it’s all for real!
Ticket Prices. Tickets prices will range from 415 SEK to 3795 SEK (36–331 €) in various categories and shows:
- First & Second Semi-Final – Evening Preview: 145-795 SEK
- First & Second Semi-Final – Afternoon Preview: 145-545 SEK
- First & Second Semi-Final – Live Show: 525-2395 SEK
- Grand Final – Evening Preview: 525-2395 SEK
- Grand Final – Afternoon Preview: 145-1385 SEK
- Grand Final – Live Show: 860-3795 SEK
Semi-Final 1
May 6 – Evening Preview: 495–795 SEK (43–70 €)
May 7 – Afternoon Preview: 415–545 SEK (36–48 €)
May 7 – Live Show: 2000–2395 SEK (175–209 €)
Semi-Final 2
May 8 – Evening Preview: 495–795 SEK (43–70 €)
May 9 – Afternoon Preview: 415–545 SEK (36–48 €)
May 9 – Live Show: 2000–2395 SEK (175–209 €)
Grand Final
May 10 – Evening Preview (Jury Show): 2000-2395 SEK (175–209 €)
May 11 – Afternoon Preview (Family Show): 1030–1385 SEK (90–121 €)
May 11 – Live Show: 3295–3795 SEK (287–331 €)
In addition to regular tickets, there will be a selection of VIP packages as well.
Interest in Eurovision tickets is always high, but as fans who have travelled to a Contest before will tell you: traditionally it can be easier to secure tickets for the Preview shows. These shows have all of the content and performances of the broadcast shows, but leave you free to watch the Live TV Show as it was intended… on the television!
Resale Advice. Please be advised that tickets should only be purchased from Ticketmaster.se Ticketmaster strongly advises its customers to not purchase second-hand tickets if it’s not through Ticketmaster Resale. In Sweden, it is not forbidden to purchase or sell tickets second hand, but this often involves more risks as there is no guarantee that the tickets are genuine.
Ticketmaster Resale is a service which means that you, the ticket buyer, can sell and buy tickets second hand completely safely, securely and anonymously – from fan to fan.
The process of buying a Resale-ticket is exactly the same as when you buy a regular ticket. Ticketmaster verifies each ticket when the ticket changes owner so that you can be sure that you get a valid ticket. Once you have purchased tickets, you will see the order as usual in your Ticketmaster account. Head to Ticketmaster.se for more information.
If you haven’t bought tickets for a Eurovision Song Contest before: listen up!
The Eurovision Song Contest isn’t just one Saturday night spectacular… it isn’t even just the three broadcast Semi-Finals and Grand Final… it’s actually 9 arena shows across the Monday, Tuesday, Wednesday, Thursday, Friday and Saturday of Eurovision week!
Interest in Eurovision tickets is always high, but as fans who have travelled to a Contest before will tell you: traditionally it can be easier to secure tickets for the Preview shows. These shows have all of the content and performances of the broadcast shows, but leave you free to watch the Live TV Show as it was intended… on the television!
Where can I find more information? Tickets are digital, but will be transferable by the Ticketmaster app. Please only purchase tickets via our official ticket platform, and for further information please check out both the Ticketmaster ticket & events page, plus their very useful help page and contact page.
YouTube, Instagram, TikTok, Twitter, Facebook

How do I vote for my favourite Eurovision song?. You can vote for your favourite Eurovision song via the app, phone and SMS (via details on screen), and esc.vote.
Full details for Malmö 2024 will appear here closer to the time of the Contest.
Voting from Participating Countries. Viewers are able to cast their votes via the official Eurovision Song Contest app (or by following instructions on screen) during the live Semi-Finals and Grand Final. The app is available for your iOS, Android or Windows device, and if you vote via the app you will receive a special video message from your favourite artists.
In addition, those watching in participating countries can vote by telephone and/or SMS. Relevant numbers will be displayed on screen by each participating broadcaster and on www.esc.vote.
You can only vote in the Semi-Final your country takes part in, or the Semi-Final assigned to your country if you’re watching from Germany, France, Italy, Spain, the United Kingdom or Sweden. You can vote up to 20 times for the countries you want to vote for.
Voting from non-Participating Countries. Viewers watching in eligible countries not participating in the Contest were able to vote in each Semi-Final and the Grand Final.
All viewers in non-participating countries can vote using the official Eurovision App or go directly to www.esc.vote – the new voting hub for the Eurovision Song Contest. Both App and website will provide the correct voting method for all eligible countries automatically.
When to Vote.
Participating Countries. At the Grand Final, voting will open just before the first song is performed, and will remain open until approximately 25 and 40 minutes after the last song has been presented. In the Semi-Finals, voting will open after the last song has been performed, and will stay open for approximately 15 to 25 minutes.
Non-Participating Countries. Viewers in the Rest of The World will have nearly 24 hours to vote for their favourite songs, split across two voting windows.
Online voting will open for the Rest of The World at approximately midnight on the day of each Semi-Final and Grand Final, and will initially stay open until the live shows begin.
At the Grand Final, voting for the Rest of the World opens again just before the first song is performed, and will remain open until approximately 25 and 40 minutes after the last song has been presented. In the Semi-Finals, voting will open again after the last song has been performed, and will stay open for approximately 15 to 25 minutes.
ALSO READ: Televoting data protection notes and Voting procedures for Malmö 2024.
This page explains the rules behind voting at the 68th Eurovision Song Contest in Malmö.
For details on How To Vote and When To Vote, visit our Vote page.
Voting at the Eurovision Song Contest. In 2024, a number of changes have been made to the voting system at the Eurovision Song Contest.
Viewers watching around the world, outside those in the participating countries, can now vote for their favourite songs for 24 hours before each Semi-Final and the Grand Final.
Voting in the Grand Final will also now open just before the first song is performed, remain open throughout the performances and for up to 40 minutes after the final song is performed.
All voting is administered by digame, the EBU’s Voting Partner and overseen by E&Y, the Independent Voting Observer.
Audience Voting. All viewers in participating and non-participating countries alike can vote using the official Eurovision App or go directly to www.esc.vote.
Both App and website will provide the correct voting method for all eligible countries automatically.
In addition those watching in the participating countries can vote by telephone and/or SMS. Relevant numbers will be displayed on screen by each participating broadcaster and on http://www.esc.vote.
Professional Juries. A Professional Jury is appointed by the broadcaster in each of the 37 countries taking part in the competition.
Each Jury consists of 5 members (including a chairperson) with a solid musical/artistic background and relevant professional experience (with proven track record) that justifies their appointment (such as singer, musician, composer, author of lyrics, professional in the TV/radio entertainment field, music critic/expert, dancer, or choreographer).
Each juror shall rank all the competing songs in each show from their least favourite to favourite based on the following criteria:
- – composition and originality of the song
- – quality of the performance on stage
- – vocal capacity of the performer(s)
- – overall impression of the act
The ranks allocated to the individual songs by each Juror are converted into a specific score value from 12 downwards decreasing exponentially; the sum of all score values within a national Jury determines the final national jury ranking. The Top 10 songs with the highest ranks are awarded 1 – 8, 10, and 12 points.
Juries from the participating countries in Semi-Final 1 and Semi-Final 2 (as well as the pre-qualified countries voting in each of the Semi-Finals) will cast their votes, but their votes will not count towards the result of the Semi-Finals unless a valid audience vote has not been recorded or an aggregated substitute result cannot be used.
The votes from Juries from all 37 participating countries will however be counted in the Grand Final.
Voting in the Semi-Finals. Only viewers at home will determine the outcome of the two Semi-Finals of the Eurovision Song Contest.
Viewers in the 15 countries taking part in Semi-Final 1 are eligible to vote alongside three of the countries pre-qualified for the Grand Final – Germany, Sweden and the United Kingdom.
Viewers in the 16 countries taking part in Semi-Final 2 are eligible to vote alongside three of the other countries pre-qualified for the Grand Final – France, Italy and Spain.
Those watching in the participating countries can vote using the official Eurovision Song Contest app, or by telephone and/or SMS. Relevant numbers will be displayed on screen by each participating broadcaster.
Those watching in any other eligible non-participating country can vote via a secure online platform – www.esc.vote
Voting for viewers in non-participating countries – Rest of The World – will open after the end of the transmission of Dress Rehearsal 2 of both Semi Finals, the previous evening, and closes at the beginning of the Live broadcast.
Voting for all viewers watching the Live Show will open after the last song is performed for approximately 15 to 25 minutes.
When the vote closes the Top 10 most popular songs in each participating country will be allocated points from 1 to 8, 10 and 12 points.
The 10 songs that have received the most votes from the Rest Of The World will be allocated points using the same scale and have the weight of one additional voting country.
The Audience in each participating country will award a total of 58 points (1 – 8, 10 and 12)
The Audience voting online from non-participating countries will also award a total of 58 points (1 – 8, 10 and 12)
In the event that a valid national audience vote cannot be recorded in a participating country the points allocated from that country will be determined using an aggregated result which shall be calculated automatically on the basis of the results of a pre-selected group of countries.
In the unlikely event that an aggregated result is not available, it will be replaced by the results of the National Jury of the country concerned.
When all the points from the Audience are added together the 10 countries with the highest number of points will qualify for the Grand Final.
These countries will be announced in a random order decided by Executive Supervisor of the Eurovision Song Contest at the end of the live broadcast.
The number of points each qualifying country has received in their respective Semi-Final will be published after the Grand Final on eurovision.tv.
Voting in the Grand Final. Viewers in all 37 countries taking part in the Eurovision Song Contest 2023 can vote for the 26 songs in the Grand Final (10 qualifiers from Semi-Final 1 and 2 and the 6 pre-qualified countries).
Those watching in the participating countries can vote using the official Eurovision Song Contest app, or by telephone and/or SMS. Relevant numbers will be displayed on screen by each participating broadcaster.
Those watching in any other eligible non-participating country can vote via a secure online platform – www.esc.vote
Voting for viewers in non-participating countries – Rest of The World – will open after the end of the transmission of Dress Rehearsal 2 of the Grand Final, the previous evening, and close at the beginning of the Live broadcast.
Voting for all viewers will open before the start of the first performance in the live Show and close approximately 25 to 40 minutes after the end of the last performance.
When the vote closes the Top 10 most popular songs in each participating country will be allocated points from 1 to 8, 10 and 12 points.
The 10 songs that have received the most votes from the Rest Of The World will be allocated points using the same scale and have the weight of one additional voting country.
The Audience in each participating country will award a total of 58 points (1 – 8, 10 and 12). 37 countries x 58 points = 2,146 points from the national audiences of the participating countries.
The Audience voting online from non-participating countries (Rest of The World) will also award a total of 58 points (1 – 8, 10 and 12).
The total number of points that will be distributed from the Audience will be 2,204 (37 participating countries + 1 Rest of the World “country”).
The Jury in each of the 37 participating countries will also award a total of 58 points (1 – 8, 10 and 12).
Each Jury will watch and cast their votes based on Dress Rehearsal 2 which will take place in the evening of Friday 10 May.
The total number of points that will be distributed by the 37 national Juries will be 2,146.
In the event that a valid national audience vote cannot be recorded in a participating country the points allocated from that country will be determined using an aggregated result which shall be calculated automatically on the basis of the results of a pre-selected group of countries.
In the unlikely event that an aggregated result is not available, it will be replaced by the results of the National Jury of the country concerned.
If a valid Jury result is not recorded in any of the participating countries, the result of the respective national Audience shall be doubled.
At the end of the televoting window, the results of each National Jury will be presented live one by one by a spokesperson in each participating country and appear on a scoreboard.
During this time, the EBU, its Voting Partner and Independent Voting Observer will count and verify the audience results.
After all the Jury points are given, the combined total points from the Audiences of the participating countries and the Rest of the World are presented.
The cumulative points total for each country in the Grand Final is then added to the scoreboard, country by country, beginning with the country that was ranked last by the Jury and working up the scoreboard to the country that was ranked first.
The country at the top of the scoreboard at the end of this sequence is the winner.
In the event of a tie, after all points are distributed from the Audience and Jury vote, the winner shall be the song which has which has obtained the highest rank from all the National Audiences and the Rest of the World Audience.
PLEASE NOTE: The national Audiences and national Juries cannot vote for the country they represent. The final results Including Audience and Jury results for every participating country and the Rest of The World result will be published on eurovision.tv after the Grand Final.
The Organisers behind the Eurovision Song Contest. The Eurovision Song Contest is organised yearly by the European Broadcasting Union (EBU), together with a Host Broadcaster and around 40 Participating Broadcasters. The Contest is overseen by the Reference Group on behalf of the Participating Broadcasters, and each Participating Broadcaster is represented by a Head of Delegation.
European Broadcasting Union (EBU). Established in 1950 and also known in French as Union Européenne de Radio-télévision (UER), the EBU is the world’s leading alliance of public service media. The European Broadcasting Union has 112 member organisations in 56 countries and an additional 31 Associates in Asia, Africa, Australasia and the Americas. Members operate nearly 2,000 television, radio and online channels and services, and offer a wealth of content across other platforms. For the Eurovision Song Contest, the EBU supports and supervises the work of the Host Broadcaster and is the central point of contact of all Participating Broadcasters. Together with its Partners, the EBU is centrally dealing with all matters related to the brand, international marketing activities, rights management, voting, communications and online activities. You can find out more about the EBU on their website.
Executive Supervisor. The Executive Supervisor oversees the preparation and organisation of the Eurovision Song Contest on behalf of the EBU. Together with their team, they provide the main point of contact for over 40 participating EBU Members and are in charge of the operation on their behalf, ensuring the Contest is delivered annually by the Host Broadcaster in accordance with the Contest rules. The current Executive Supervisor is Martin Österdahl, a senior television executive with over 20 years of experience. Martin was the Executive Producer for the Eurovision Song Contest in 2013 and 2016 when the Contest was hosted by Swedish EBU Member SVT in Malmö and Stockholm respectively.
Reference Group. The Reference Group was established in 1998 and is the executive committee tasked with overseeing the organisation of the Eurovision Song Contest on behalf of Participating Broadcasters.
As of September 2023, the Reference Group includes:
Chairperson. Bakel Walden (SSR SRG)
Members. Ebba Adielsson (SVT), Rachel Ashdown (BBC), Felix Bergsson (RÚV), Ana María Bordas (RTVE), Carla Bugalho (RTP), Claudio Fasulo (RAI), Simona Martorelli (RAI), Tomislav Štengl (HRT), Alexandra Wolfslast (NDR), Martin Österdahl (EBU)
The Reference Group is established by the EBU Television Committee and its tasks are:
- Approving the development and future format of the Eurovision Song Contest
- Securing the financing of the Eurovision Song Contest
- Modernising the brand and raising awareness of the Eurovision Song Contest
- Overseeing the yearly preparation by the Host Broadcaster
The Reference Group meets four to five times each year on behalf of all Participating Broadcasters, and is required to take decisions in the general interest of the Contest.
The Reference Group is composed of the following members:
- The Chairperson
- Three elected members from among the Heads of Delegations
- Two Executive Producers from previous host countries, as well as the Executive Producer of the current Host Broadcaster
- Up to two invited members based on competence and experience
- The EBU Eurovision Song Contest Executive Supervisor
You can read more about the Reference Group on the EBU website.
Host Broadcaster. The Eurovision Song Contest is usually organised by the national public broadcaster of the country that won the year before (with some notable exceptions). In 2022 the Host Broadcaster was Rai from Italy.
For the Host Broadcaster, organising the Contest is an unprecedented but exciting challenge which includes working closely with the Host City and appointing a domestic Executive Producer who can oversee and manage operations.
Participating Broadcasters. The Participating Broadcasters are…. the broadcasters participating in the Eurovision Song Contest of any given year! The list changes from year to year as broadcasters debut, leave and rejoin the Contest, but it usually comprises around 40 competing delegations. Participating Broadcasters work hard to prepare acts that will qualify from the show’s Semi-Finals, hoping for a ticket to the Saturday night Grand Final where they will join the so-called ‘Big Five’ broadcasters. The Big Five are the Participating Broadcasters from France, Germany, Italy, Spain and the United Kingdom – the group of countries who via their broadcasters make the biggest financial contribution towards the organisation of the Contest.
Head of Delegation (HoD). Each Participating Broadcaster taking part in the Eurovision Song Contest must appoint a Head of Delegation (HoD). This person is the European Broadcasting Union’s contact point and leader of their country’s delegation at the Contest. A delegation, managed by the Head of Delegation, also includes a Head of Press (HoP), the artists, songwriters, composers, backing vocalists and, of course, the artist’s entourage. The size of a delegation can vary greatly. raditionally, the HoDs meet in March before the Contest to discuss and learn about the upcoming event.
How the Eurovision Song Contest works.
An Overview. The Eurovision Song Contest is an internationally televised songwriting competition, organised by the European Broadcasting Union and featuring participants chosen by EBU member broadcasters representing their countries from across Europe and beyond. Each Participating Broadcaster has until mid-March to choose a song and an artist to perform it. The song and artist can be selected through a televised national selection show (or shows), an internal process, or via any other means they decide. Participants then compete at the Eurovision Song Contest, traditionally held in May. The Contest format comprises three live shows: the First Semi-Final (Tuesday evening), the Second Semi-Final (Thursday evening), and the Grand Final (a Saturday night spectacular). Participating Broadcasters work hard to prepare acts that will qualify from the show’s Semi-Finals, hoping for a ticket to the Saturday night Grand Final where they will join the so-called ‘Big Five’ broadcasters and Host Broadcaster (usually the broadcaster of the nation than won the previous year). The ‘Big Five’ are the Participating Broadcasters from France, Germany, Italy, Spain and the United Kingdom – the group of countries who via their broadcasters make the biggest financial contribution towards the organisation of the Contest. There is a comprehensive set of rules concerning participation that has evolved over the decades, but the main ones relating to competing songs and artists are:
- Songs must be original and no more than 3 minutes in length
- Lead vocals must be performed live
- No more than 6 performers can take to the stage during any one performance
In each show, after all songs have been performed, each country will give two sets of points (1, 2, 3, 4, 5, 6, 7, 8, 10 and 12) to their favourite songs; one set is given by a jury of five music industry professionals from that country, and one set given by viewers watching the show in country. Viewers can vote by telephone, SMS and through the official app. Out of fairness, you cannot vote for your own country. In the Semi-Finals, only those countries who took part in that specific show can vote (along with 2 or 3 of the ‘Big Five’ who are already in the Grand Final), whereas in the Grand Final, all competing countries can vote. At the end of the Grand Final, the song that has received the most points wins the iconic trophy, and is performed once more.
National Selections. Each country is de facto represented by its respective public broadcaster, and it’s at the broadcaster’s sole discretion to determine who will represent their country at the Eurovision Song Contest. There are three common ways to select a participant for the Eurovision Song Contest:
Televised National Selection. The broadcaster can select their entry by organising their own ‘mini Eurovision’ earlier in the year. For example, Albania uses their well established Festivali i Këngës to pick a participant, Sweden runs its annual Melodifestivalen, and Portugal utilises Festival da Canção.
Internal Selection. The broadcaster can invite submissions or approach record labels and individuals, and run the process without public involvement. This method has worked well in recent years for the United Kingdom (Sam Ryder finishing 2nd in 2022), the Netherlands (Duncan Laurence champion in 2019) and Israel (Netta was victor in 2018).
Mixed Format. The best of both worlds, where, for example, an artist is chosen by the broadcaster, leaving the song choice down to a public vote. The EBU strongly encourages participating broadcasters to engage the public with the selection of a participant for the Eurovision Song Contest.
Semi-Final Allocation Draw. As the Contest moves around the globe, so do the Hosting responsibilities, and in January, the Host Broadcaster meets with their predecessor to symbolically mark the passing of the Contest from one Host City to the next. It’s at this event that the Semi-Final Allocation Draw takes place, which determines which country takes part in which of the two Semi-Finals.
Event Weeks. While most TV viewers are focused on the three live shows, the broadcasts are in fact the climax of two exciting weeks in the Host City.
- All participants rehearse individually on stage twice for each show. Rehearsals begin up to two weeks before the Saturday night Grand Final.
- The Host City normally organises a Eurovision Village to entertain locals and visitors, and to give an extra platform for participants to perform, as well as screening the live shows.
- Each of the three live shows is preceded by Dress Rehearsals. Tickets are sold to the second and third Dress Rehearsals.
- Traditionally, a Welcome Reception and ‘Red Carpet’ Ceremony are held on the Sunday preceding the live shows, for delegations and selected invitees.
On top of official events and engagements, the Host City welcomes tens of thousands of visitors, with City-organised and fan-run events.
Fairness. The European Broadcasting Union (EBU) is strongly committed to secure the fairness of the Eurovision Song Contest. In order to assure Participating Broadcasters, contestants and the public a fair and valid result the EBU implemented a wide range of measures.
Governance. Participation in the contest is governed by the Eurovision Song Contest Rules. These Rules are established and enforced by the contest’s governing body, the Reference Group, on behalf of all Participating Broadcasters. Embedded within the Rules is a wealth of legacy, some of which dating back several decades. The EBU and the Reference Group are committed to continuously improving the Rules. Significant changes that touch upon the basics of the contest will have to be approved by the EBU’s Television Committee, a higher governing body on behalf of the EBU’s Member Broadcasters. The Executive Supervisor on behalf of the EBU, who is a permanent member of the Reference Group, ensures that the Rules are being followed on a day-to-day basis and reports any breach of the Rules to the Reference Group. In particular, the Executive Supervisor oversees the voting procedure that determines the outcome of the Eurovision Song Contest. A breach of the Rules may result in a formal warning, a financial penalty or a sanction. The highest possible sanction is an exclusion from participation in the contest for a maximum of three consecutive years.
Voting validation and observation. The outcome of the Eurovision Song Contest is determined by a jury of music industry professionals and viewers, each making a 50 percent contribution to the result. Each jury, as well as each individual jury member, must meet a strict set of criteria regarding professional background, as well as diversity in gender and age. Additionally, judges pledge in writing they will evaluate the entries based on a set of criteria and state that they are not connected to any of the contestants in any way that could affect their ability to vote independently. Judges can only take seat in the jury once every three years. The juries vote on the basis of the second Dress Rehearsal of each show, which takes place the night before each live show. Each judge should vote independently and no discussion about their vote is permitted. An independent notary oversees the jury gathering, to assure all regulatory procedures are being followed. Each jury submits their result to the EBU and its official voting partner Digame via a highly secured system, as well as by fax. Viewers can submit their vote by phone call, SMS or via the official app. They can vote up to 20 times. Voting tariffs are set by each Participating Broadcaster and will be presented on screen during the shows. Exceptions may apply due to differences in national legislation. All televotes are being processed by the Pan-European Response Platform (PERP), which was developed by the EBU’s official voting partner Digame to assure all votes are counted in accordance with the Rules. The entire televoting process is monitored live by some 70 trained professionals from the Voting Control Centre in Cologne, Germany. The setup assures that any attempts to unfairly influence the voting, e.g. via bulk voting are detected and mitigated. The exact methods to prevent and/or detect malicious voting is classified and only known to the EBU Executive Supervisor, the Chairman of the Reference Group, E&Y and Digame. The entire procedure – both jury voting as well as televoting – is overlooked by independent observers of E&Y and by the EBU’s Executive Supervisor, to assure that all results are being interpreted in accordance with the Rules.
The Rules of the Contest 2024. The Eurovision Song Contest has a detailed set of Rules, which have been established by the European Broadcasting Union (EBU) and are approved by the contest’s governing body, the Reference Group. On this page you can find the public summary of the Rules of the Eurovision Song Contest 2024.
This version of the Rules is provided for the public informational purposes only.
EBU CO-PRODUCTION.
INTERNATIONAL COPRODUCTION. The Eurovision Song Contest (the “ESC”) is an international coproduction by broadcasting organisations having the status of Members of the EBU, as defined under the EBU Statutes (the “Members”) which is carried out under the auspices of the European Broadcasting Union (the “EBU”) as part of the television programme exchange known as Eurovision for the benefit of the Participating Broadcasters and of the Host Broadcaster. The EBU appoints an Executive Supervisor (hereafter the “ESC Executive Supervisor”) to supervise the organization of the ESC and the production of the Shows as well as to oversee the preparation of the ESC operations throughout the year as further detailed under these Rules.
NUMBER OF PARTICIPATING BROADCASTERS. A maximum of 44 Members shall be allowed to participate (the “Participating Broadcasters”). Members from a maximum total of 26 countries shall compete in the Final. There shall be six guaranteed places therein, i.e. one for the producing organization, i.e. the Member which has won the preceding edition (the “Host Broadcaster”), and the five Members from France, Germany, Spain, Italy and the United Kingdom (the “Big 5”). Subject to a decision by the EBU in consultation with the Reference Group, the number of guaranteed places in the Final may be modified depending on circumstances. Apart from the six broadcasters with guaranteed places, all Participating Broadcasters from a maximum of 38 countries shall compete in one of the Semi-Finals for the remaining places in the Final.
FORMAT.
LIVE PRIME TIME ENTERTAINMENT SHOWS. The ESC is traditionally composed of three live Shows, two Semi-Finals, on Tuesdays and on Thursdays and one Final taking place on Saturdays taking place annually in May, in the country of the Host Broadcaster. The Acts are performed during the Shows in front of a live audience and the Shows are presented on stage, in both English and French, by the international presenters. The Shows are produced and transmitted live by the Host Broadcaster and are made available over the Eurovision network for live broadcast by the Participating Broadcasters. Each Show is a state-of-the-art, prime-time entertainment programme, world-class live television production. It consists in a musical competition in which artists entered by the Participating Broadcasters (the “Contestants”) will compete at the ESC by performing on stage live on television, songs (the “Acts”) to represent their respective countries. The Acts are performed one after the other with short sequences (the “Postcards”) in between. The allocation of the countries to the two Semi-Finals and the position of appearance of the Host Broadcaster in the Final shall be decided by means of draws. The outcome of the ESC is decided by the votes casted by the National Audiences and by National Juries appointed in the countries of the Participating Broadcasters. During the Audience Voting window and the time necessary to calculate the results, there shall be so-called “interval acts” produced by the Host Broadcaster (the “Interval Acts”). The announcement of the results is generally followed from a so-called “Green Room” by the Contestants having entered the ESC. National commentary by commentators appointed by each of the Participating Broadcasters is added to the international version of the Shows for broadcast in their respective countries.
ENTRIES REQUIREMENTS.
SELECTION OF THE SONGS. Each song which competes in the ESC shall be selected through a national selection to be organized by each Participating Broadcaster. The national selection is organized under the sole responsibility of the Participating Broadcaster in question.
SONGS REQUIREMENTS.
(i) RELEASE DATE. The songs (lyrics and music compositions) submitted to represent the country of each Participating Broadcaster’s country in the ESC must be original and must not have been released and/or publicly performed in part or in full before 1 September 2023 (the “Release Date”). In case the song submitted has been made available to the public, for example, but not limited to, on online video platforms, social networks or (semi-) publicly accessible databanks and/or performed publicly, for example but not limited to during concerts, prior to the Release Date the Participating Broadcaster must inform the ESC Executive Supervisor, who shall have authority to evaluate whether the song remains eligible for participation in the Contest. In particular, the ESC Executive Supervisor shall assess whether such disclosure prior to the Release Date is likely to give to the song an advantage in the Contest vis-à-vis the other participating songs. The ESC Executive Supervisor shall have authority to authorise or deny participation of a song which may have been available to the public as described above. The ESC Executive Supervisor shall consult the Reference Group in case of doubt.
(ii) DURATION. The maximum duration of each song is three minutes. Any song/performance which is longer shall not be eligible to participate and the Participating Broadcaster may be disqualified in case it fails (i) to submit to the EBU a song complying with the requested duration hereunder by the prescribed deadline or (ii) to (have) perform(ed) on stage, a song complying with the requested duration hereunder.
(iii) LANGUAGE. Each Participating Broadcaster is free to decide the language in which its Contestant(s) will sing.
PERFORMANCES AT THE ESC.
(i) PERFORMANCES IN THE SHOWS. The stage performance shall be identical in all second (Jury) Dress Rehearsals and during the live Shows.
(ii) LIVE PERFORMANCES ON STAGE (AND BACKING TRACKS). All songs shall be performed live on the stage in the Host City at the selected Venue with recorded Backing Tracks. No on-stage Contestant (whether Lead Singer(s), or dancers) shall be allowed to lip-sync in such a way as to give the impression that they are singing when they actually are not. No pitch-correction (e.g. Auto-tuning) for live vocals shall be allowed in any case for the live Act performances on stage. Plugging instruments to play live on stage shall not be allowed. The Host Broadcaster and the ESC Executive Supervisor shall verify respect for this rule.
CONTESTANTS (ELIGIBILTY CRITERIA).
(i) MAXIMUM NUMBER OF CONTESTANTS. Each performance may consist of a maximum of six artists on stage. No live animals shall be allowed on stage.
(ii) AGE OF CONTESTANTS. All Contestants and artists competing in a Semi-Final must be aged at least 16 on the day of the Final. All Contestants and artists competing only in the Final must be aged at least 16 on the day of the Final.
(iii) COUNTRY REPRESENTATION. No Contestant and/or artist may compete for more than one country in the ESC in a given year.
VOTING.
OUTCOME OF THE ESC. The outcome of the ESC is determined by votes which are cast by
I) IN THE COUNTRIES OF THE PARTICIPATING BROADCASTERS.
- the national audiences of the Participating Broadcasters (the “National Audience”) in both Semi-Finals and the Grand-Final through centralised televoting (the “Televoting”) and where feasible or mandatory, through paid online voting (the “paid online voting)” – When referred collectively hereafter, the televoting and the paid online voting shall be referred to as the “National Audience Voting”
- the Jurors of the National Juries appointed by each Participating Broadcaster in each participating country (Grand-Final only), and
II) OUTSIDE THE COUNTRIES OF THE PARTICIPATING BROADCASTERS (THE “REST OF THE WORLD” OR “ROW“)
- the international audience outside of the countries of the Participating Broadcasters (the “RoW Audience“), in both Semi-Finals and the Grand-Final through centralised paid online voting (the “RoW Voting”).
When referred collectively hereafter, the National Audience Voting and the RoW Voting shall be referred to as the “Audience Voting”.The National Audience Voting is compulsory in all the countries of the Participating Broadcasters. Each Participating Broadcaster shall cooperate with the Voting Partner appointed by the EBU for the National Audience Voting and the national jury voting so as to ensure a central control and verification of the results. All Participating Broadcasters are obliged to follow the agreed rules in relation to the voting which shall be laid down in the Official Voting Instructions which shall be an integral part of these Rules (to be distributed separately).
AUDIENCE VOTING– VOTES OF NATIONAL AUDIENCES AND RoW AUDIENCE.
(i) IMPLEMENTATION.
NATIONAL AUDIENCE VOTING. In the Semi-Final: All Participating Broadcasters presenting a song in a Semi-Final are obliged to implement the National Audience Voting system for that Semi-Final. The six Participating Broadcasters with guaranteed places in the Final shall also implement the National Audience Voting system for the Semi-Final which they are required to broadcast.
In the Final: All Participating Broadcasters are obliged to implement the National Audience Voting system for the Final in their respective countries.
REST OF THE WORLD AUDIENCE VOTING. The principle of the RoW voting is to collect all votes cast in the countries outside the countries of the Participating Broadcasters and to combine the votes of the RoW Audience as one additional country.
(ii) MODALITIES. IN THE COUNTRIES OF THE PARTICIPATING BROADCASTERS: NATIONAL AUDIENCE VOTING.
MEANS OF NATIONAL AUDIENCE VOTING: Viewers in the countries of the Participating Broadcasters are invited to vote for their favourite songs by means of televoting (votes of the National Audiences by telephone and SMS, including the ESC App) and in certain countries, where such method is agreed upon between the Voting Partner and the Participating Broadcaster concerned, via paid online voting.
NO VOTING FOR ITS OWN COUNTRY: Voters must be excluded from voting for the song of their own country of residence, and this must be made known to them.
IN THE REST OF THE WORLD: ROW VOTING
MEANS OF RoW VOTING: In the Rest of the World, the audience in the RoW is invited to vote through a dedicated website operated by the Voting Partner under the supervision of the EBU. The RoW Audience is eligible to vote for all songs in each Show.
VOTING RESTRICTIONS: Audiences from Participating Broadcasters shall not be eligible to vote in the RoW voting.
The countries in which the RoW voting shall be implemented and performed shall be decided by the EBU and subject to applicable restrictions that may exist in some countries.
III) AWARD OF THE POINTS
WITH RESPECT TO NATIONAL AUDIENCE VOTING, IN EACH COUNTRY, the song which has received the highest number of votes shall be ranked first, the song which has received the second highest number of votes shall be ranked second, and so on until the last song. In both Semi-Finals and in the Grand-Final, only the ten best ranked songs in the Audience will be considered and the results of the National Audiences in each country shall be determined as follows:
- 12 points shall be allocated to the song having obtained the best rank from the National Audiences;
- 10 points to the song having obtained the second-best rank from the National Audiences,
- 8 points to the song having obtained the third-best rank from the National Audiences,
- 7 points to the next,
- and so on, down to 1 point for the song having obtained the tenth-best rank from the National Audiences.
WITH RESPECT TO THE ROW VOTING, all the votes cast by the RoW Audience from the non-participating countries will be counted together and shall award a total of 58 points, (i.e it will count as one single participating country). The points will be attributed using the same manner as the one used for the National Audience Voting, (i.e. from 1 to 8, 10, and 12 points),
VOTES OF NATIONAL JURIES.
(i) IMPLEMENTATION. In addition to the National Audience Voting, in each participating country, there shall be a National Jury to be appointed by that country’s Participating Broadcaster, unless decided otherwise by the Reference Group, to vote in the Semi-Finals and in the Final. The Reference Group may decide to change the jury voting set-up. National Juries shall vote in all the countries of the Participating Broadcasters and in all cases. In the Semi-Final: All Participating Broadcasters having a Contestant in a Semi-Final shall ensure that a National Jury votes in that Semi-Final. The six Participating Broadcasters with guaranteed places in the Final shall also appoint a National Jury to vote in the Semi-Final which they are required to broadcast.In the Final: All Participating Broadcasters shall appoint a National Jury to vote in the Final (even if their song is not selected for the Final). Implementation of the compulsory National Audience Voting shall not exempt any Participating Broadcaster from appointing a National Jury.
(ii) MODALITIES. The National Juries shall not be allowed to vote for the song of their own country. When voting, Jury Members shall use all their professional skill and experience without favoring any Contestant on the account of their nationality, gender or likeliness and shall be free from bias, external influence foreign perspectives or pressure (including but not limited to betting odds or public opinions). The sole reference for their judgment must be the performance of the Acts during the second (Jury) Dress Rehearsals of the respective Shows.
(iii) AWARD OF THE POINTS. With respect to the National Jury, the National Jurors shall rank first their favourite song, second, their second favourite song, third, their third favourite song, and so on until their least favourite song which shall be ranked last. Abstentions are not allowed, except that the song representing the country of the Participating Broadcaster which has appointed the National Jury shall be excluded from the vote. It is not allowed to award the same rank to two different songs. In both Semi-Finals and in the Grand-Final, only the ten best inal ranked songs by the National Jury will be considered; the results of the National Jury in each country shall be determined as follows:
- 12 points shall be allocated to the song having obtained the best rank from the National Jury;
- 10 points to the song having obtained the second-best rank from the National Jury,
- 8 points to the song having obtained the third-best rank from the National Jury,
- 7 points to the next,
- and so on, down to 1 point for the song having obtained the tenth-best rank from the National Jury.
RESULTS. In the Semi Finals, subject to the Reference Group approval, only the points of Audiences which have voted in the respective Semi-Finals shall be used to calculate the official result of each Semi-Final. In the Final; the points of the National Audiences and of the National Juries shall be combined according to a ratio which is determined by the EBU, subject to the Reference Group approval, to calculate the official result of the Final. For example, if the ratio is 50-50, the points of the National Jury carry the same weight as the points of the National Audiences.
PRESENTATION AND ANNOUNCEMENT OF THE RESULTS. The results shall be announced once all songs have been performed, after the Audience Voting window is closed and the results have been calculated.
IN THE SEMI FINALS. In the Semi-Finals, the international presenters shall announce the names of the countries which have qualified from the Semi-Finals for the Final.
IN THE FINAL. The results of the National Juries in each country are announced in turn by the spokesperson of each Participating Broadcaster, clearly and distinctly in English or in French, stating the name of the country concerned and the points allocated by its National Jury. The Audience Voting results are announced by the International Presenters. The Audience Voting points from all participating countries are combined with the points of the National Juries, providing one combined score for each song. At the end of the process, the International Presenters shall announce the winner(s). The Contestants, song writer(s) and Participating Broadcaster of the winning song(s) in the Final shall receive the ESC Trophy, and the transmission of the Final shall end with a further performance of the winning song(s).
WINNERS. The respective winners of the Semi-Finals shall be the 10 song(s) in each Semi-Final which, according to all information made available to the EBU by the Voting Partner, has/have obtained the highest number of points once the results of the National Audiences have been added at the time of announcement of the results. The winner(s) of the Final shall be the song(s) which, according to all information made available to the EBU by the Voting Partner, has/have obtained the highest combined number of points once the results of the National Audiences and of the National Juries have been added at the time of announcement of the results.
ESC TITLE AND VALUES.
ESC TITLE. The main title of the Shows is the “Eurovision Song Contest”, followed by the year during which it takes place. It shall be used by all broadcasters, although they may instead use a translation into their national language, subject to the approval of the EBU. If the translation is approved, the main title need not be used. Broadcasters are also permitted to include a minor title under the main title, using the name by which the ESC has been known in recent years in their respective countries.
NON-POLITICAL EVENT. The ESC is a non-political event. All Participating Broadcasters, including the Host Broadcaster, shall be responsible to ensure that all necessary measures are undertaken within in their respective Delegations and teams to safeguard the interests and the integrity of the ESC and to make sure that the ESC shall in no case be politicized and/or instrumentalized and/or otherwise brought into disrepute in any way.
VALUES AND INTEGRITY. “EBU Values”: Universality, Independence, Excellence, Diversity, Accountability and Innovation. “ESC Values”: Universality, diversity, equality and inclusivity and proud tradition of celebrating diversity through music. The Participating Broadcasters shall at all times respect the EBU and the ESC Values and take all steps to protect the integrity of the ESC and of the Shows. They shall ensure that no contestant, delegation or country is discriminated and/or ridiculed in any manner.
INTELLECTUAL PROPERTY RIGHTS.
OWNERSHIP. The EBU is in exclusive control of all centralized marketing and exploitation of the ESC on a worldwide basis.
DISTRIBUTION LICENSING. Without prejudice to the other rules in this Section, all broadcasting and other rights to the Shows and the ESC are exclusively owned by the EBU, to be managed centrally by the EBU on behalf of the Participating Broadcasters. The EBU shall be responsible for coordinating all sales of the Shows (including any ESC content produced by the EBU), in whole or in part, to non-participating broadcasters from countries where rights remain available and to third parties.
THE SHOWS.
Radio: All Members which are radio organisations shall be granted, free of charge (except for the usual rights payments to national collecting societies), for their territory, the right to broadcast on a linear basis the Shows (live or deferred), in whole or in part, an unlimited number of times until the next ESC, (the celebrity act may have to be excluded for deferred broadcasts taking place 30 days after the Final, if so notified by the EBU). In addition, they are entitled to make available on a non-linear basis until the next ESC audio extracts from the Shows on their fully owned website, as long as no more than 30 seconds per song are used.Mem bers which are radio organisations but which are not part of a Participating Broadcaster’s organization and which are located in the country of a Participating Broadcaster which includes both a radio and a television service shall be entitled to broadcast the Shows only if they have obtained the prior written authorization of the Participating Broadcaster in that country. Radio organizations (other than Members) from countries where rights remain available, may acquire the right to broadcast the Shows on their territory from the EBU.
Television and online platforms: Television broadcasters and media organisations from countries where rights remain available may acquire from the EBU the right to broadcast or otherwise transmit the Shows on their territory on a linear and/or non linear basis. In countries where rights remain available, non-participating EBU Members shall have a first option, to be exercised within a deadline set by the EBU, to purchase the Shows for their territory. Depending on the facilities available, non-participating broadcasters from countries where rights remain available may also request the right to send a commentator, and/or a production team, to the ESC.
EXTRACTS. The EBU shall be entitled to grant licences with respect to any extracts from the Shows, and/or from the Dress Rehearsals and/or from the ESC Content produced by the EBU to third parties for inclusion in any audiovisual works or media products or services.
ESC LOGO AND ARTWORK. No commercial or non-commercial entity shall use the logo or other distinctive elements of the ESC or the Shows without the prior written permission of the EBU.
REPORTING ACCESS RULES. Specific Reporting Access Rules for non-rightsholders are made available separately by the EBU in advance of the ESC and shall be published on Eurovision.tv.
FINAL PROVISIONS.
PREVAILING VERSION. These Rules are drafted in English and French. In the event of any inconsistencies between the two versions, the English version shall prevail. This document is intended to inform the public on the rules applicable to the Eurovision Song Contest. It is not binding upon the EBU and/or the Participating Broadcasters.
Devi effettuare l'accesso per postare un commento.